Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
CCI Sound system: a performance in which new material will be mixed and phased between two huge PA’s, one a precise Meyer system, the other a huge wall of Marshall amps
Sachiko’s very simple, pure sine tones and structures. Otomo on double pianos. Filament’s music isn’t composed and it isn’t improvised: it’s a hybrid of the two.
A space to reflect on our own experiences with the police and explore more community and care-based ways of dealing with violence and difficulties in our lives.
A multi-speaker, electronic, spacious and spatial performance from Florian Hecker.
This set continues on from the Bud Neill inspired clatter using the contents of the Usurper twin’s pockets.
A celebration of the release of four books written by members of, and focused on about the House and Ballroom scene.
The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.
Temporary Outpost for an Auditory Gesture is a kind of performed installation that explores how sonic phenomena (like feedback, vibration, resonance, echo, rhythm) condition our experience.
The practice of North African Indigenous revolutionary love, in the face of European capitalist violence and settler colonialism, with one of the most vital anti-colonial thinkers in Europe.
Dead Labour Process drool-tape farmer, squeaking/creaking Usurper brother and Peeesseye’s yodelling traps-man hold a real OUT splutter party.
From really simple, open instructions, An Unrhymed Chord creates a kind of half-way point between composition and improvisation.
The role of feelings in public life, (political) depression and creative survival.
