
Hit Parade
Christof Migone
Can we use sound, repetition and difference to personally and collectively engage with space, time and labour?
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Can we use sound, repetition and difference to personally and collectively engage with space, time and labour?
60 cycle hums, jagged static cracklings, and clipped electron pinpricks, mutating them into sublime, post-techno grooves
An extravagant debauch of huge pianos, plush toys, cognac and ritual.
Three short performances involving social exchange (jumpers, hats, glasses…) and singing (ballads)
Slapstick comedy, monologue, and a kind of live sculpture transformed through video, props, musical instruments and make-up.
Sean and Taku share an interest in structure, space and time. A spartan, abstract, considered and surprisingly musical set.
Dub is strange. A conversation with Edward George and Dhanveer Brar.
Life and death dramas unfold in the snowy American North, using three-screen documentary footage and a soundtrack by KYTN favourite, vocalist Daniel Menche.
Rather than asking the state for services, what kinds of change are made possible when we prioritise people supporting each other?
What is the radical concept at the core of ‘rhythm’, expanded from simply musical or mathematical notions to encompass personal, social, collective rhythms?
An invitation into languages field of touch; to speak in feeling together.