
As Jane Edwards and Geoffrey Rush
Aileen Campbell
A chorister attempting to sing Vivaldi, with live accompaniment, while trampolining for 20 minutes.
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A chorister attempting to sing Vivaldi, with live accompaniment, while trampolining for 20 minutes.
Quasi-theatrical multiple-projector pieces play with the relationship between performers, art and audiences.
The films in the programme take the essential and fundamental building blocks of cinema (combining sound and image through time) screw about with them, interrogate them and cast them anew.
As opposed to suggesting soundtrack’s to Brakhage’s works [which are almost entirely silent] Text of Light use his works to stimulate improvisation, enveloping them into the structure of the group much like an additional musician.
Thirty lucky Instal punters experience Kylie’s pre-match aggro workout one-on-one in the darkness of an Arches dressing room.
Jacobs’ pulsing and abstract 3D Nervous Magic Lantern performance grounded by Eric La Casa’s manipulated recordings of everyday locations.
Personal Spaces: inversion of a territorial bell, confusing the realms between rehearsal and performance, public and private space.
During Episode 9 we made this clip with Storyboard P at Kinning Park Complex. Video by Ash Reid.
Poetry of raw fearless truth and the realest crip insight fully embedded in absolute lyrical lounge.
Sparse and miniature free thought workouts involving guitar, vocals and tuba.
Jarrod Fowler and Christof Migone kick things off with performances involving edible plants, a saw, dandruff, and Christof responding to the prompt: “as far as you can for as long as you can.”
Smith/Stewart set up allegorical situations over which they often have little to no control, but which instigate explorations of dependence and trust, the body, sex and death.