B-52
Hartmut Bitomsky
Hartmut is going to talk a little about his work at large and the politics of how his films are constructed. And we’ll screen one of his best films: B-52.
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Hartmut is going to talk a little about his work at large and the politics of how his films are constructed. And we’ll screen one of his best films: B-52.
An open-ended moment in an ongoing series of films, notes, performances, diagrams and drawings which trace the questions they share. A “porous space between cinema time-space and lived time-space.”
Chip will read some of his great literary pornography, which pushes sexuality to the point of extremity and exhaustion.
Captures the creak and rustle of the forest, with an exhilarating tension let loose in unconfined maniacal and bare-knuckle group thinking.
Akio Suzuki and John Butcher performing in an old underground reservoir in Fife.
Three documentary films exploring diverse realities of sex workers around the world followed by a closing ceremony of the festival.
In which Storyboard P and members of Project X pick a song, freestyle to it, chat with us about what dancing means to them, then pick another song, freestyle, chat, repeat…
Film and sound stripped of ‘content’ and experienced spatially, to be looked at not on the screen but in the space of the gallery
Robin Hayward – exploring the micro-sounds of a tuba, filling slowly with sand.
4 days of workshops, discussions and artists presentations exploring the radical act of caring for each other while working to change the world.
Bleu Shut reveals, and allows us to enjoy, our gullibility within the pervasive absurdity of modern life.
The mutability of the body and the mobility of identity: queered pop culture, drag, lip-sync and performance.