Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Sarah Washington uses electronics and wind-up radios, running out of charge to repsond to the festivals’ Self Cancellation provocation.
A discussion about what is at stake in the performance of realness and the practice of passing, and how they are both acts of survival and resistance.
Fernando thinks that when maths is deep, it should be simple and able to be explained by hand gestures. By embodying ideas, we’re able to more clearly think about their cultural implications.
Edinburgh. Sinewave manipulating Giant Tank-ette goes head-to-head with Decaer Pinga’s first lady of noise.
A riot of 60’s psychedelia, magick, ritual and tight black leather, this programme highlights underground innovators who use and subvert pop music for their own experimental ends; and be warned, in Anger, there’s real darkness.
Ten short intimate one-on-one conversations with Robert Softley Gale – We all want to see ourselves reflected in the world around us—in society, in art, in culture… in porn?
A performance by Storyboard P – one of the greatest Afrofuturist dancers on the planet.
Vanessa Place talks at The Friday Event series at the Glasgow School of Art about her practice as a writer.
Poems are kisses, fists, and underground rivers. For all these reasons and many more, I am a poet.
The mutability of the body and the mobility of identity: queered pop culture, drag, lip-sync and performance.
Electronic music, time, thought, the word, and consecutive matters
A trio of Tamio’s screaming and immovable slabs of sound; Mico’s dance/ performance/ piano; Fritz’s absurd, flailing percussion/ voice.
