Listener as Operator
Howard Slater
Our favourite Lancashire-born autodictact asks what’s political about the tension between the individual and the collective in free jazz.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Our favourite Lancashire-born autodictact asks what’s political about the tension between the individual and the collective in free jazz.
GIO’s bottomless throat, Blood Stereo’s slobber gobbler and the Mouth Of The South tangle tonsils over Steve McCaffrey’s Carnival
The club as a community and a site for performed politics: deep/ queer house, vogue femme, lipsync and ballroom.
An open collaborative workshop space in which games, warm-up sessions, exercises and scenes are potentially the same thing, through which to project your own concerns onto the stage.
Sean and Taku share an interest in structure, space and time. A spartan, abstract, considered and surprisingly musical set.
A recreation of one of Gustav Metzger’s celebrated auto destructive performances.
A loud, buzzing stew of electrical light as noise and convulsive electric guitar squall.
Jean-Luc Guionnet will be giving a talk as part of the music department’s ongoing series of colloquia.
How does this practice, that simultaneously resists and honours the distinctions between these genres, materials and senses, determine the inhabitation of another: a convergence of aesthetic and social experimentation?
Veterans of the psych-infused UK free noise scene, the Vibracathedral Orchestra is a hypnotic ur-drone group hailing from Leeds.
Giants of the Japanese avant-rock scene Ruins are a hardcore prog rock bass + drums duo led by drummer extraordinaire Tatsuya Yoshida and joined in Dundee by Sasaki Hisashi.
UK conceptual/ drone/ noise artist, who is seriously posing what might seem to be unanswerable questions of music.