Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Includes: tamed TV snow, video feedback of racing particles, a remake of a polish photogram film destroyed in WWII, a visual and aural representation of Gestalt theory, hole-punched film and Guy Sherwin’s Cycles 3 double-projection.
The films in the programme take the essential and fundamental building blocks of cinema (combining sound and image through time) screw about with them, interrogate them and cast them anew.
This event honoured those individuals who achieved the status of Icon during the period of 1986-1990.
How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?
Do art forms like black radical poetry, free jazz and improvisation create a space for the performance of freedom? Did they ever? And can they still do so now?
Simon Morris is joined by Nick Thurston as they attempt to read aloud whilst peddling on exercise bikes.
If life is assaulted by power, where do we find spaces for living? A conversation with Peter Pál Pelbart.
Includes: solar flares, insect fireworks, a new film from Ian Helliwell, pulsating glaciers, an apple being eaten alive, sea ravaged stock, crushed blackberries and film that has literally risen from the grave.
Dual projections of pulsating shards of film, treated in crystallized salts and dyes merge with the whirring of projectors, distilled into particles of sound.
Investigate film as language, via the language of film reduced to the basic units of film and language. A film as text in which each frame is a single word.
All ticket income goes directly to We Will Rise – a group of migrants, refugees, asylum seekers and their allies who have come together to End Immigration Detention in the UK.
Can we use sound, repetition and difference to personally and collectively engage with space, time and labour?
