
Kill Your Timid Notion 06
A festival hewn from passions for experimental music, film and visual art and for a passion in figuring out how they can relate to, cross-fertilise and inspire and each other.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A festival hewn from passions for experimental music, film and visual art and for a passion in figuring out how they can relate to, cross-fertilise and inspire and each other.
Whether drawing their own fractured, abstract narrative, or re-contextualising, chewing up and spitting out someone else’s, each of the films here take a dramatic arc as their starting point and throw it to the wind.
Come for the crip ingenuity; stay for the smooth feels of what it is to be each other’s everything.
A discussion about what is at stake in the performance of realness and the practice of passing, and how they are both acts of survival and resistance.
African American history, avant-garde jazz riffs and activism intertwine in experimental verse of extraordinary and affecting beauty that has to be heard.
Somewhere between performance, stripped down theatre and an intense kind of public learning or maybe even a public hearing.
Radu plays a trombone, Klaus creates pure sine waves: they sound on their own, or sometimes together and often with considerable space and silence.
A day of presentations and discussions on the theme of audio visual perception in the context of experimental music, film and art.
A temporary archive and research space tracing the ways in which sound and audition move through everyday life.
Avant-wrongdoers Blood Stereo performing in Garthamlock the town spawned them.
A back and forth between Fred and Fernando on the transits and obstructions between mathematics and poetics, and how both help us to think from the other side.
There are core ways in which our listening to the radio differs from other kinds of listening. What happens when we pay attention to how we pay attention?