Self Cancellation – Sand
Robin Hayward
Robin Hayward – exploring the micro-sounds of a tuba, filling slowly with sand.
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Robin Hayward – exploring the micro-sounds of a tuba, filling slowly with sand.
US percussionist, poet, sound artist and instrument maker performing on self-made instruments constructed from industrial materials such as stainless steel, titanium, PVC plastics and various kinds of pipe.
Goofily deformed, deeply thought vocal jams: like the sound of your own breath rushing through your head.
What’s the best way to spend time with a musician when they visit a city to perform? And when the musician in question has a great deal to say, what sort of concert do you organise to do justice to that?
An original and beautifully simple performed installation forging a direct link between sound and image.
A celebration of our overabundant social entanglement and complicity, that remind us of how we can see ourselves, stripped of powers’ attempts to grasp us.
Poetry of raw fearless truth and the realest crip insight fully embedded in absolute lyrical lounge.
Craig will give a guided reading of his handbook of exemplary instances of literary listening and will be joined by one of the selected authors, Vanessa Place.
A temporary archive and research space tracing the ways in which sound and audition move through everyday life.
We asked Christoph to come and give a sort of informal talk, raising some of his ideas about sound and image, and playing/ showing a few examples.
African American history, avant-garde jazz riffs and activism intertwine in experimental verse of extraordinary and affecting beauty that has to be heard.
A dialogical meeting of Baraka’s radical poetry and Grimes’ free jazz syncopation.