Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
The Truth and Lies book project emerges as part of a rising tide of sex worker art and organised struggle to end criminalisation and stigmatisation of sex work.
Ian and Gil will host a discussion on the Argument project’s social and political commentaries, and with you try and maybe think through whether and how they might still have some currency today: what’s changed and what’s stayed the same?
A workshop inviting participants to enact a series of scores that explore witnessing, testimony, grief and mourning, facilitated by Mezna and Sadia, and accompanied by Sakina Ali.
Emotional fantasies, towers of cakes, identity troubles, collapsed distance and time and Samuel R. Delany’s rarely seen 1971 film The Orchid.
Three intense solo performances for drums (both played and screamed through), cymbal, voice, credit card, bird whistle, and guitar amplifier/leads.
Do almost nothing: re-present (unaltered and arranged by chance) silent family home movies handed down to Flo, (Ken’s wife) and follow them with a “teach yourself Yiddish” cassette tape.
How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?
Live ISDN drone performance resonating between Dundee and an empty Montreal Grain Silo.
Performance of a Sudoko based graphic score giving rise to a process of self cancellation.
Paul Sharits is one of our all time heroes, and one of the great artist filmmakers of the 20th Century.
Moor Mother is a musician, Philadelphian housing activist and black quantum futurist.
Exploring the interplay between punk sinewave aggression, high-speed video sequences and stroboscopic lighting
