Fred Moten – Reading
Fred Moten
African American history, avant-garde jazz riffs and activism intertwine in experimental verse of extraordinary and affecting beauty that has to be heard.
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African American history, avant-garde jazz riffs and activism intertwine in experimental verse of extraordinary and affecting beauty that has to be heard.
Blissed-out sun-dappled drone ragas of the highest order, with a metal-tinged signature sound of plucked and bowed strings.
A drone installation populated by flourescent strip lights working in complicity with analogue radios – “all the lights just do their thing”.
If life is assaulted by power, where do we find spaces for living? A conversation with Peter Pál Pelbart.
Bleu Shut reveals, and allows us to enjoy, our gullibility within the pervasive absurdity of modern life.
Ex Ganger guitarist’s solo performance for guitar and fx, featuring breathless processed guitar, complex in structure and melody.
Out of a dark haze, shafts of light emerge, as the emulsion is scratched from the surface of the film. Simultaneously, out of the black silence, noise and audible scratches bloom into a bright drone.
Acting at the minimum. Each film here substitutes one small thing for another, (ironically) transforming received meanings by the simplest of actions; often kind of funny too.
Summing up of the investigations with a reflection on what has been done that week and what could be done the next.
How do people both inside and outside of prison work together to dismantle the criminal justice system and build a society based on collective care?
A loud, buzzing stew of electrical light as noise and convulsive electric guitar squall.
A performed filmic conversation on queer and black world making.