Blackness, Animality and the Unsovereign
Che Gossett
How black radical practices of abolition imagine a way out of the caging and mass killing of life.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
How black radical practices of abolition imagine a way out of the caging and mass killing of life.
Intriguing, underground, Berlin based musicians interested in the borders between music and theatre, language, the visual arts, politics.
When we look, how do we objectify the body; how can we reflect on our (self) image as a construction?
The Songspiels take on a mode of musical theatre developed by playwright Bertolt Brecht and composer Kurt Weill in the early twentieth century, presenting political and social concerns through the accessible and (often funny) form of song.
A landmark film on black life – a poetic filmic constellation of meditations, fragments and interviews on what it means to be black in America in the 21st century, from one of its great cinematographers.
Work that focuses in on the static hiss and background noise of recording and pushes it to the fore.
Summing up of the investigations with a reflection on what has been done that week and what could be done the next.
There exist places in our towns and cities that are created not by design, but by circumstance. Shadowed Spaces was a tour of overlooked, bypassed and unconsidered nooks and crannies with 3 musicians.
We asked Christoph to come and give a sort of informal talk, raising some of his ideas about sound and image, and playing/ showing a few examples.
A rare live performance which, although not a full installation, made use of the unique acoustic and spatial properties of the Arches to rattle the audience and help it locate its third ear.
Dundee. Progressive rhythmical guitar squall vs. post-highland discorporate dusk-jockey.
A solo improvisation using just the situation of the concert: a space, a PA, Mattin’s own thoughts, you, the audience.