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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Paul Sharits' Shutter Interface projected on a wall: three bands of colour
29 November 2008
BFI Southbank BFI IMAX ICA Spike Island Arnolfini CCA

Shutter Interface

Paul Sharits

Shutter Interface is an expanded cinema piece: a series of machinegun bursts of chromatic relationships and visual harmonics in an overwhelming montage

Kill Your Timid Notion on Tour
Ryoji Ikeda pictured against a dark background
1 December 2002
The Arches

Formula [ver 1.1]

Ryoji Ikeda

Exploring the interplay between punk sinewave aggression, high-speed video sequences and stroboscopic lighting

INSTAL 02
A B&W shot of M Lamar prostrate and seemingly screaming
27 September 2014
Tramway

Speculum Orum

M Lamar

A queer black operatic requiem for piano and voice that asks us to stay in the hold of the slave ship, that tries to understand the connection from the slave ship to the prison.

Episode 6: Make a Way Out of No Way
A man with a torch looking at a mixing board
13 November 2010
Tramway

N30: Live at the WTO

Christopher DeLaurenti

N30 is a massive, dynamic, immersive multi-channel presentation of front-line field recordings from the protest against the WTO in Seattle

INSTAL 10
A performer with a small parrot on his finger, props on the floor
18 April 2015
Tramway

No Ready Made Men – Open Rehearsal

Ueinzz

Inhabiting a different kind of energy, Ueinzz’s open rehearsals reveal a glimpse into their ongoing daily theatrical modes of caring – multiplying the ways in which their plays are meant to be felt, rather than understood.

Episode 7: We Can’t Live Without Our Lives
Fernando stands gestures with one arm out, the other hand rests in the crook
22 November 2019
Tramway

Workshop on Gestural Maths

Fernando Zalamea

Fernando thinks that when maths is deep, it should be simple and able to be explained by hand gestures. By embodying ideas, we’re able to more clearly think about their cultural implications.

Episode 10: A Means Without End
A man in a cat mask operates musical equipment
15 October 2005
The Arches

Birchville Cat Motel

Birchville Cat Motel

Blissed-out sun-dappled drone ragas of the highest order, with a metal-tinged signature sound of plucked and bowed strings.

INSTAL 05
Tetusi Akiyama sitting with a guitar surrounded by audience
15 October 2005
The Arches

Tetuzi Akiyama

Tetuzi Akiyama

An contradictory guitarist, he’s equally at home in slow, halting acoustic improvisation or piercing minimal examinations of electric guitar.

INSTAL 05
14 October 2006
The Arches

Infest – Red Kites

Red Kites

Brother and sister stumble over the early morning horizon in a spectral haze of emotionally devastating lunar vocals and oblique, lithium-soaked folk.

INSTAL 06
Phil Minton conducts a large choir
22 March 2009
The Arches

Century FC

Phil Minton

A 100 strong Feral Choir of people who’ve never improvised with their voices before, conducted by composer Phil Minton.

INSTAL 09
Arika_Episode8_RefusePowersGraspClub-6
21 October 2016
The Art School

Refuse Powers’ Grasp – Club

boychild Elysia Crampton Juliana Huxtable Joe Heffernan

All ticket income goes directly to We Will Rise – a group of migrants, refugees, asylum seekers and their allies who have come together to End Immigration Detention in the UK.

Episode 8: Refuse Powers’ Grasp
Tens of silken knotted ropes in shades of gold and blue hang vertically
22 November 2019
Tramway

Exhibition: Gravitational Feel

Fred Moten Wu Tsang

How do we sense entanglement? Can the knotting of ropes according to a poem’s rhythm make the social pulse of language matter?

Episode 10: A Means Without End
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