Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Goofily deformed, deeply thought vocal jams: like the sound of your own breath rushing through your head.
The Truth and Lies book project emerges as part of a rising tide of sex worker art and organised struggle to end criminalisation and stigmatisation of sex work.
Robin Hayward – exploring the micro-sounds of a tuba, filling slowly with sand.
A 100 strong Feral Choir of people who’ve never improvised with their voices before, conducted by composer Phil Minton.
An utterly deep introspection told in aching, weeping guitar lines; melodic, simple, always minimal but somehow entirely epic.
Quintessentially British, The Bohman Brothers’ music is a home-made and DIY conflux of some of the most virulent strains of experimental music.
Guy Sherwin gives a kind of annotated, chat through his optical sound films
Location: Around and about the old public library in Easterhouse; disinvested in and left to rot by the council but which was shamelessly, hastily and superficially cleaned by them in expectation of our event.
Jarrod Fowler creates a social space where layered one-to-one live encounters with the audience become sonic material.
The mutability of the body and the mobility of identity: queered pop culture, drag, lip-sync and performance.
NVA asked Arika to curate and programme the sound aspects of their 2007 Half-Life production in Kilmartin Glen. Arika worked with Toshiya Tsunoda, Lee Patterson, Rhodri Davies and Angharad Davies.
Beyond time, colorlines, ability, and sexuality, a movement exploration into what it means to see and be seen, how hearing contrast with what is actually being heard.
