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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Rauhan Orkesteri performing on stage at INSTAL 05, bare feet, woolen hats
15 October 2005
The Arches

Rauhan Orkesteri

Rauhan Orkesteri

Captures the creak and rustle of the forest, with an exhilarating tension let loose in unconfined maniacal and bare-knuckle group thinking.

INSTAL 05
Thuja performing among tree branches at DCA Dundee
10 December 2004
DCA

Thuja & Keith Evans

Keith Evans Thuja

Thuja specialise in a unique and abstract folk music, a devoutly organic tapestry deeply rooted in the sway and bow of nature.

Kill Your Timid Notion 04
Storyboard P and Project X dancing on stage
18 November 2017
Tramway

Speech Captions Body Language

Storyboard P

In which Storyboard P and members of Project X pick a song, freestyle to it, chat with us about what dancing means to them, then pick another song, freestyle, chat, repeat…

Episode 9: Other Worlds Already Exist
Ann Cvetkovich gesticulates as she stands and talks by a flipchart
26 May 2013
Tramway

An Archive of Feelings

Ann Cvetkovich

The queer archiving of traumatic cultural memory from one of the leading voices working with queer archives.

Episode 5: Hidden in Plain Sight
Paul Sharits' Shutter Interface projected on a wall: three bands of colour
29 November 2008
BFI Southbank BFI IMAX ICA Spike Island Arnolfini CCA

Shutter Interface

Paul Sharits

Shutter Interface is an expanded cinema piece: a series of machinegun bursts of chromatic relationships and visual harmonics in an overwhelming montage

Kill Your Timid Notion on Tour
Peter Evans backstage at MLFC 07
11 May 2007
The Sage Gateshead

Peter Evans

Peter Evans

A sound of buzzing and flickering metallic drones, glottal stops and guttural growls, and also an explosiveness and purity of sound that reminds you as much of Bill Dixon as anyone else.

Music Lover’s Field Companion 07
a hand places a sweet into the mount of a glamorously made up woman
28 February 2010
DCA

Film Programme 7: Duplication

Various Artists

Nothing if not repetitive, film is founded on the incremental succession of minute difference. But how does repetition of the same play out, and is it a tool to comment on the standardising repetition of the mass media?

Kill Your Timid Notion 10
A screen showing two people holding a Sotherbys Bad for Art banner
3 May 2012
Whitney Museum of American Art

The Indivisible or Inadmissable Committee

When one calls a strike, who hears the call, who attunes and listens to it? How to listen to the call of a strike? What prevents one from hearing this call or stops one from listening to it?

A survey is a process of listening
Script papers are strewn across a black floor
20 April 2013
Tramway

No Total

What kind of listening and acknowledging do we offer each other? What is it to listen to an ‘elsewhere’, and do we ever do anything else when we listen to music?

Amelia is framed to the right of the picture smiling. They are wearing a sky blue tie dye shirt and brown cap. They are pictured in Abiquiu, New Mexico, by the Chama River, surrounded by cholla cacti blooming bright pink flowers with a mountainous landscape behind.
21 June 2023

Meditations in a Chronic Emergency

Amelia Bande

With lo-fi dreams and high-def humor, Bande brings MC vibes to the day. Interluding music with spoken performance, the live extimacy of Bande’s presence reaches out via emo-techno-bridges.

I wanna be with you everywhere 2023
Colorful leather bound books line a wooden shelf, with writing on their spine in Arabic, one booklet entitled “3 Scores and The People’s Mic Khutba” in Urdu, is slipping into the company of the books or out into the hands of a seeker.
14 November 2024
Tramway Live Stream

Bring a Witness

Sadia Shirazi Mezna Qato

Sadia Shirazi & Mezna Qato will discuss a series of scores that explore the texture and landscape of exile, resistance, and Muslim sociality. These instructional scores trouble the idea that art and activism are untouched by faith and faith is untouched by art and activism.

Episode 11: To End the World As We Know It
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