
Charles Curtis & Raha Raissnia
Charles Curtis Raha Raissnia
A beautifully crisp, slowly evolving duo for cello and projected images. Abstract but still figurative; change only noticeable after the fact.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A beautifully crisp, slowly evolving duo for cello and projected images. Abstract but still figurative; change only noticeable after the fact.
We wanted to ask a bunch of the best high-energy-improvisers around; can musical form really taking shape via a group energy? Can individual concentration lead to a group consciousness?
A life force of ecstatic clarity capable of loquacious bursts of affirmation.
This set continues on from the Bud Neill inspired clatter using the contents of the Usurper twin’s pockets.
Underground movement legend boychild hosts this workshop—on improvisation, cosmetics, movement and lip-sync.
Christian Bök‘s work spans thrillingly conceptual poetry to body-shaking vocal performances.
Is it possible to dance our way out of the hardened stances and identity prisons we are locked in?
A series of events organised by the Vogue’ology collective from the House Ballroom community in New York grounded in the scenes history of autonomous, self-organised struggle and a shared investment in collective art practices and how those intersect with the multiple and often divergent struggles for freedom.
An audio and video investigation of gender cults, Catholicism, hauntings and nuns’ use of audio devices…
Ian and Gil will host a discussion on the Argument project’s social and political commentaries, and with you try and maybe think through whether and how they might still have some currency today: what’s changed and what’s stayed the same?
Kanta is a young Japanese artist with a home-made, short circuited take on electronics and physical phenomena which he uses in performance to produce close circuit systems of audio / video feedback.
Can we use sound, repetition and difference to personally and collectively engage with space, time and labour?