Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A cinema of the mind, a film to take place in the viewers’ imagination(s).
An open collaborative workshop space in which games, warm-up sessions, exercises and scenes are potentially the same thing, through which to project your own concerns onto the stage.
Autobiographical detail becomes a lens to reflect and refract the deepest aspects of personal and social life in Delany’s ground-breaking non-fiction writing.
Quasi-theatrical multiple-projector pieces play with the relationship between performers, art and audiences.
Emotional fantasies, towers of cakes, identity troubles, collapsed distance and time and Samuel R. Delany’s rarely seen 1971 film The Orchid.
The club as a community and a site for performed politics: deep/ queer house, vogue femme, lipsync and ballroom.
A queer black operatic requiem for piano and voice that asks us to stay in the hold of the slave ship, that tries to understand the connection from the slave ship to the prison.
Three short performances involving social exchange (jumpers, hats, glasses…) and singing (ballads)
A solo improvisation using just the situation of the concert: a space, a PA, Mattin’s own thoughts, you, the audience.
If life is assaulted by power, where do we find spaces for living? A conversation with Peter Pál Pelbart.
Sometimes delicate, sometimes harsh and jarring, Yagi’s koto solos are as much inspired by Nancarrow or Cage as they are traditional.
Performances at Anthology Film Archives by by Loren Mazzacane Connors, Alan Licht & Jandek.
