Storyboard P at Kinning Park Complex
Storyboard P
During Episode 9 we made this clip with Storyboard P at Kinning Park Complex. Video by Ash Reid.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
During Episode 9 we made this clip with Storyboard P at Kinning Park Complex. Video by Ash Reid.
Dworkin asks: What would a non-expressive poetry look like? A poetry of intellect rather than emotion?
Can we use sound, repetition and difference to personally and collectively engage with space, time and labour?
This mini, late-night ball will include categories inspired by the events earlier in the weekend.
A celebration of risk taking and adventure from some of the boldest pioneers of the past 40 years, melding avant garde and underground forms of music and moving image to create new experiments and experiences in sight and sound.
Tell Me About It creates a space for direct one-to-one conversations with people who habitually find others (filmmakers, politicians, journalists) speaking on their behalf… In partnership with Edinburgh Art Festival.
A conversation between Philip and Moten: how do we read NourbeSe’s anti-narrative poetic lament in Glasgow today, given the city’s role in the history of slavery?
Thinking against the monoculturalism of Western thought—of faith, affection, sexuality and gender—which completely lacks any utility to, or descriptive value of Indigenous worldviews.
Jarringly beautiful and often maniacal expression of hallucinatory and very personal visions.
An audio/ video, lecture/ performance exploring the queer and companionly inter-activity of human-animal relations.
Copying without Copying is 3 evenings of events that are about what happens when we speak, or when we hear someone speak on our behalf, when we share a collective moment of hearing and maybe understanding.
A festival asking how ideas of nihilism, darkness, subjectivity and abjection play out in experimental music, performance art, horror, neuroscience and philosophy?