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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Film still from A Plot, A Scandal. A person is sits on top of a thick fur blanket or rug. They are sat on their bottom, their right hand and leg are raised up. In their hand they hold a what looks like a wooden pole. They are dressed in lilac silk and wear a wig of light curly hair, like a judge’s wig. It is a staged environment with a cast of yellow light highlighting the figure.
14 November 2024
Tramway

A Plot, A Scandal

Ligia Lewis

Conceptual choreography as critique, in Ligia’s film of Caribbean plots and scandals, and the possibilities of anti-colonial revenge, rest and repair.

Episode 11: To End the World As We Know It
13 May 2007
The Sage Gateshead

Total Music Meeting

David Keenan

Discussion with David Keenan: an author, critic and musician based in Glasgow, Scotland. He is best known for the reviews and features he has contributed to The Wire.

Music Lover’s Field Companion 07
11 – 15 November 2026

Episode 12

Save the dates for Episode 12.

Wednesday 11 – Sunday 15 November 2026

A cutting from the New York Times, showing a man in a blue jumper
21 January 2012
CCA

Argument

Andrew Tyndall Anthony McCall

Argument is a provocative, multi-layered film essay, a trenchant analysis of the media and remains a critically relevant and critically inflammatory tract.

Episode 1: A Film is a Statement
Leah stands, gazing upwards in white horn-rimmed spectacles
11 April 2019
Performance Space New York

Solo Performances

Leah Lakshmi Piepzna-Samarasinha

Come for the crip ingenuity; stay for the smooth feels of what it is to be each other’s everything.

I wanna be with you everywhere
A close up of  trombone horn
13 October 2006
The Bridge

Symphony for Swimmers

David Dove Nmperign

During their time in Scotland for Instal 06 Dave Dove, Bhob Rainey and Greg Kelly did some improvisation workshops and performances in and around Glasgow.

INSTAL 06
Matthew Saladin Adjusts a movement sensor in Tramway's studio space
14 November 2010
Tramway

Noises Off

Matthieu Saladin

A kind of performed installation of searing noise and silence, where we’re not sure who the performer is, when it starts or ends or even who it’s for.

INSTAL 10
Drawing of concentric arrows with 3 words in the centre: attacker, helper,victim
19 April 2015
Tramway

Work Care Class 3 – Care & Revolution

Howard Slater

Final workshop exploring work, care and class. Does the ‘care industry’ summon forth its own class? Can this ‘affective class’, in their ability to care for others, militate against the carelessness of self-interest?

Episode 7: We Can’t Live Without Our Lives
Image with the words: Robert Lippock
9 December 2001
The Arches

Robert Lippock

Robert Lippock

To Rococo Rot member Robert Lippok performing for the first time in the UK with his solo project.

INSTAL 01
Two smashed mirrors with shards of glass here and there
25 February 2012
Tramway

Rehearsal after Reflect Soft Matte Discourse

Clara López Imri Sandström Malin Arnell

A performed reflection on Malin’s previous re-enacting of a super influential landmark of performance art from the French feminist and artist Gina Pane.

Episode 2: A Special Form of Darkness
A shot of a boldly decorated bedroom, red walls, fairy lights, myriad flowers
28 February 2010
DCA

Film Programme 6: Production

Ken Jacobs Various Artists

The production of moving image (film) by the mechanically, unfalteringly repetitive manipulation of mass-produced materials (film), in order to explore three different allegorical representations (films) of repetitive human actions and labour under capital.

Kill Your Timid Notion 10
Black and white image of clouds from above showing a fractal pattern
23 November 2019
Tramway

Vorticity in the Eternal Hum

Alexander Moll Jackie Wang

What’s the relationship between the eternal hum of the oceanic beloved and the persistence of vorticity in fluid dynamics? And how does Alice Coltrane’s harp help us stay there?

Episode 10: A Means Without End
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