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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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All Archive (704)

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Inter title from the film Haxan
18 October 2003
DCA

Haxan: Witchcraft Through the Ages

Mirror Phantom Engineer

Mirror and Phantom Engineer performing an improvised soundtrack to Benjamin Christensen’s 1922 horror film prototype, Haxan: Witchcraft through the Ages.

Kill Your Timid Notion 03
The blurry figure of a dog crosses the camera, entering a doorway
26 May 2013
Tramway

My Dog Is My Piano

Antonia Baehr

An audio/ video, lecture/ performance exploring the queer and companionly inter-activity of human-animal relations.

Episode 5: Hidden in Plain Sight
a man in green clothes is wrapped to a drum kit by red tape
18 October 2003
DCA

Sunburned Hand of the Man

Sunburned Hand of the Man

First live show outside the USA featuring one-off film pieces and live theatre from the ringleaders of the ‘weird new America’ psych folk explosion.

Kill Your Timid Notion 03
Sean Meehan performing in a on a curved wall before an audience
6 July 2007
Union Terrace Gardens

Shadowed Spaces Aberdeen

Ikuro Takahashi Sean Meehan Tamio Shiraishi Denis Wood

Disused railway turning circle at east end of Union Terrace Gardens, a historically public space at the centre of a regeneration land-grab for the private gain of a local petro-chemical magnate.

Shadowed Spaces
Merzbow: Masami Akita looking at a computer screen
23 November 2003
The Arches

Merzbow

Merzbow takes the junk of sound and transforms it into blistering noise assaults with an incredible spectrum and impact.

INSTAL 03
15 April 2007
DCA

Ken Hollings Talk

Ken Hollings

A talk entitled ‘The Conquest of the Universe’: which delves into the connections between the underground filmmakers and musicians in New York in the early 1960s

Kill Your Timid Notion 07
Nikos Veliotis in safety goggles chips wood, cello and a projection in the back
21 March 2009
The Arches

Cello Powder

Nikos Veliotis

Nikos played every note that it’s possible to play on the cello, all played back as a one hour drone, while the cello was turned to powder and bottled.

INSTAL 09
arika_ep7_IMG_4492
17 April 2015
Tramway

Ueinzz Crossings

Ueinzz

An open collaborative workshop space in which games, warm-up sessions, exercises and scenes are potentially the same thing, through which to project your own concerns onto the stage.

Episode 7: We Can’t Live Without Our Lives
Still from animated film ‘shit’s totally fucked! What can we do? A mutual aid explainer’ – text and illustrations on paper and wood, that spells out “something really important about all this is that Mutual Aid is not Charity”
9 March 2022

Mutual Aid on the Road to Abolition

Dean Spade Abolitionist Futures

How do we make the connections between the mutual aid practices of our daily lives and anti-capitalist efforts to dismantle wider systems of exploitation?

Mutual Aid
Miss Major waves regally from an open top car at a Pride parade, she is surrounded by other Pride marchers with banners and placards.
13 March 2022
Online

Chosen Kin: Making Our Loyalties

Mai’a Williams Miss Major Claricia Revlon

How do communities formed under the duress of violent othering and the joy of solidarity – such as ballroom culture, Black diasporas, Zapatistas – reform bonds of kinship?

Mutual Aid
Amiri Baraka reads poetry at a mic and Henry Grimes plays a double bass bass
21 April 2013
Tramway

WordMusic

Amiri Baraka Henry Grimes

A dialogical meeting of Baraka’s radical poetry and Grimes’ free jazz syncopation.

Episode 4: Freedom is a Constant Struggle
Nate is shown from the waist up, leaning against a fence, wearing a navy t-shirt
24 November 2019
Tramway

Nathaniel Mackey

Nathaniel Mackey

“Mackey composes realist-mythic layering of lyrical prose unlike anything being written today.” — New York Times. “Our greatest living epic poet…Mackey’s poetry and criticism have reinvented modernism for our time.”— LitHub

Episode 10: A Means Without End
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