
Episode 4: Freedom is a Constant Struggle
Do art forms like black radical poetry, free jazz and improvisation create a space for the performance of freedom? Did they ever? And can they still do so now?
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Do art forms like black radical poetry, free jazz and improvisation create a space for the performance of freedom? Did they ever? And can they still do so now?
Goofily deformed, deeply thought vocal jams: like the sound of your own breath rushing through your head.
Sparse and miniature free thought workouts involving guitar, vocals and tuba.
The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.
Solo by Jean-Philippe Gross, a French electro-acoustic improviser, working with mixing board, cheap mics, small speakers and an analog synth, built around a honed interest in feedback.
Tiny fragments of sound recombined and woven into spare and precise, violent yet beautiful pieces
Like walking through the abstracted amalgamation of 30 or so storms, trays of water shaken by thunder, light bouncing off pools.
John Mullarkey sets in a wider context our understanding of Alain Badiou and Francois Laruelle, two of the most radical philosophers in Europe today.
In true reality television style, this in-depth artist talk will tackle all the hardest-hitting questions and juiciest details about care, creative collaboration, and disability justice.
A silent performance of (musical) reverberation.
Join Scot-PEP, SWARM and Decrim Now for a day of panel discussions focusing on: sex worker’s labour rights, how decriminalisation can help in the struggle for sex worker safety, sex work & migration with a film screening of Crossings.
Film and sound stripped of ‘content’ and experienced spatially, to be looked at not on the screen but in the space of the gallery