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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Arika_Instal08_BryonyMcIntyre_Marginal Consort - Imai 2106
17 February 2008
The Arches

Marginal Consort

Marginal Consort

Durational group-mind drone and clatter: bamboo, electronics, the contents of your local ironmongers bin. A 3-hour set from this legendary Japanese improvisation group.

INSTAL 08
Keiji Haino playing a saz onstage in CCA Glasgow 05
23 May 2005
CCA

CCA Glasgow 05

Jandek Keiji Haino My Cat Is An Alien Taurpis Tula

Performances at CCA Glasgow by Keiji Haino, My Cat Is An Alien, Taurpis Tula, Jandek with Richard Youngs and Alex Neilson.

A table with three microphones, chairs and named placards. The seats are empty
24 March 2012
Tramway

Combatant Status Review Tribunal

Andrea Geyer Ashley Hunt David Thorne Sharon Hayes Katya Sander

Somewhere between performance, stripped down theatre and an intense kind of public learning or maybe even a public hearing.

Episode 3: Copying without Copying
NEVE sits, gesturing, on a leather covered chair, head raised
11 April 2019
Performance Space New York

Lover of Low Creatures

NEVE

A sung-through Nubian musical ballet. A darkly humorous take on sexual trauma and what magical and ancestral tools might heal it.

I wanna be with you everywhere
Three performers on stage, two on electronics and one sings
15 February 2008
Stereo

Blood Stereo

Blood Stereo Heather Leigh Murray

Goofily deformed, deeply thought vocal jams: like the sound of your own breath rushing through your head.

INSTAL 08
Mijke point to a white board their face is reflected in a tv screen to their lef
24 November 2019
Tramway

Multilogics and Poetics of Radical Transfeminism

Mijke van der Drift Nat Raha

Underlying radical transfeminism, as an urgent critique of binary essentialism and fixed identities, is the call for a new kind of thinking that can move between and integrate the truths of all lives in their transformations.

Episode 10: A Means Without End
Otomo Yoshihide seated between two upright pianos their interiors exposed
22 March 2009
The Arches

Filament: Sachiko M & Otomo Yoshihide

Otomo Yoshihide Sachiko M

Sachiko’s very simple, pure sine tones and structures. Otomo on double pianos. Filament’s music isn’t composed and it isn’t improvised: it’s a hybrid of the two.

INSTAL 09
A long distance shot of a dark theatre stage piled high with cardboard boxes
26 February 2012
Tramway

Inhuman Grand-Guignol Theatre

Taku Unami

Inspired by the supernatural horror of H. P. Lovecraft, black metal and a sense of worry as to what constitutes an object, or a world.

Episode 2: A Special Form of Darkness
Fernando stands facing boychild who holds grasps elbow with opposite hand
23 November 2019
Tramway

Borders between Mathematics, Gestures and Dance

boychild Fernando Zalamea

How do we gesture to the invisible, the trans or the obscure? A performative conversation between boychild and Fernando, a sharing of gestures, and a bodily back and forth between mathematician and dance artist.

Episode 10: A Means Without End
Howard Slater is in conversation at a table with Barry Esson in a black room
21 April 2013
Tramway

Listener as Operator

Howard Slater

Our favourite Lancashire-born autodictact asks what’s political about the tension between the individual and the collective in free jazz.

Episode 4: Freedom is a Constant Struggle
Three performers stand next to each other whilst singing and using their voices
21 March 2009
The Arches

Free-form hook up

Aileen Campbell Dylan Nyoukis Phil Minton

GIO’s bottomless throat, Blood Stereo’s slobber gobbler and the Mouth Of The South tangle tonsils over Steve McCaffrey’s Carnival

INSTAL 09
Daniel Carter plays a saxophone and William Parker plays a bamboo flute
20 April 2013
Tramway

Daniel Carter & William Parker

Daniel Carter William Parker

What might Carter and Parker’s collaboration tell us about our own performances of responsibility and liberty, whether individual, social or musical?

Episode 4: Freedom is a Constant Struggle
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