Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Conceptual writer and practicing lawyer Vanessa Place performs and talks with Mark Sanders, author of the brilliant “Complicities: The Intellectual and Apartheid”
Are artists powerless in the face of technology? These often whimsical and amusing films are minimal technological interventions and appropriations but maybe also rigorous takes on the role of popular media and culture in our hyper-technological world.
Exploring the interplay between punk sinewave aggression, high-speed video sequences and stroboscopic lighting
Jarrod Fowler creates a social space where layered one-to-one live encounters with the audience become sonic material.
We’ll look at the language and politics of what gets ‘mental health’ and consider more holistic understandings of experiences that honour the connection between mind/body/soul, and that acknowledge social and political context.
A movement-based workshop on Krump and the politics of how we teach, learn and listen with our bodies. Move with us!
Wave Formations is a 5 screen work in which each screen runs through a series of fades and then stroboscopic flashes of colour, to create a series of visual harmonics.
An event exploring anarchic and communal situations of musical creation with MV, EE and The Cherry Blossoms.
Camille Sapara Barton author of Tending Grief will facilitate this BIPOC only session around somatics and racial justice.
For musical chameleon Richard Youngs both his creative and family life are focused in the room that many of us consider the centre piece of our lives.
A performance, a radio show, an installation, an endurance test. A game of chance. Constantly broadcasting live, actor Tam Dean Burn will leave Tramway at the start of INSTAL and walk away from it, in an ever increasing spiral, for a day. Then he’ll walk back.
Harrowing but musical confrontations with the very real, physical and aural trauma of a woman screaming.
