 
A Handbook of Protocols for Literary Listening
Craig Dworkin Vanessa Place
Craig will give a guided reading of his handbook of exemplary instances of literary listening and will be joined by one of the selected authors, Vanessa Place.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
 
Craig will give a guided reading of his handbook of exemplary instances of literary listening and will be joined by one of the selected authors, Vanessa Place.
 
Joan La Barbara presents works exploring the colour spectrum of a single pitch resonating in her skull, an evocation of bird song and circular singing.
 
Underground movement legend boychild hosts this workshop—on improvisation, cosmetics, movement and lip-sync.
 
“I am truly without faith. In a media marketplace that demands soulness, I can only offer soulnessless.”
 
Can we use sound, repetition and difference to personally and collectively engage with space, time and labour?
 
Arika is working in partnership with Decriminalised Futures on a multi year collaboration featuring multiple creative projects exploring sex worker lives, experiences and movement struggles.
 
Criminal Queers visualises a radical trans/queer struggle against the prison industrial complex, working to abolish the multiple ways our hearts, genders, and desires are confined.
 
A recording session for BBC Radio Scotland under the M74 ‘Ski Jump’ extension ramp, a secion of motorway that doesn’t go anywhere, one of several such structures that populate the motorway system in the centre of Glasgow.
 
A sound diffusion piece by Glasgow University’s Musica Electronica, and a further selection of electroacoustic performances.
 
Slapstick comedy, monologue, and a kind of live sculpture transformed through video, props, musical instruments and make-up.
 
A multi-speaker, electronic, spacious and spatial performance from Florian Hecker.
 
How do you know what you want? Should freedom be doing what you ought, not doing what you want? How might a philosopher and artist turn this thinking into an enabling condition in the context of noise and improvisation?