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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Turquoise and Brown text reads Kill Your Timid Notion
17 – 19 October 2003
DCA

Kill Your Timid Notion 03

Taking over the gallery spaces at Dundee Contemporary Arts, the first Kill Your Timid Notion presented a 3 day programme of live immersive experiences and specially curated film programmes.

diagonal design half yellow half black with the text 'Uninstal' across each half
8 – 16 May 2010
Tramway

UNINSTAL

UNINSTAL was a set of events at Tramway that tested out radical ideas with leading local and international artists. A collection of events (performances, films, installations, walks and talks) about sound and listening.

James Whitehead standing by a blackboard
16 May 2010
Tramway

JILAT

JLIAT / James Whitehead

UK conceptual/ drone/ noise artist, who is seriously posing what might seem to be unanswerable questions of music.

UNINSTAL
Two legs wearing black high heeled boots stick up above the edge of dark stage
18 November 2017
Tramway

Moved by the Motion

boychild TOTAL FREEDOM Wu Tsang

Sci-fi. After the club. Underground. Counter-narrative. Narrated movement. Cultural resistance. Wu Tsang and boychild’s collaborative performance series, will continue its evolution at Episode 9 with the addition of TOTAL FREEDOM.

Episode 9: Other Worlds Already Exist
Daniel Carter plays a saxophone and William Parker plays a bamboo flute
20 April 2013
Tramway

Daniel Carter & William Parker

Daniel Carter William Parker

What might Carter and Parker’s collaboration tell us about our own performances of responsibility and liberty, whether individual, social or musical?

Episode 4: Freedom is a Constant Struggle
"Episode 11: To End the Worlds As We Know It" title superimposed in white & red text on top of a blue back ground with a dark navy circle that looks like ripped paper.
13 – 17 November 2024
Tramway Glasgow School of Art

Episode 11: To End the World As We Know It

5 days of film, music, discussion and study of our collective incompleteness—arrayed against the colonial ordering of how we come to know the world—practicing how we might exist otherwise, right here and now. Can we start to know and practice the world to come?

Colorful leather bound books line a wooden shelf, with writing on their spine in Arabic, one booklet entitled “3 Scores and The People’s Mic Khutba” in Urdu, is slipping into the company of the books or out into the hands of a seeker.
14 November 2024
Tramway Live Stream

Bring a Witness

Sadia Shirazi Mezna Qato

Sadia Shirazi & Mezna Qato will discuss a series of scores that explore the texture and landscape of exile, resistance, and Muslim sociality. These instructional scores trouble the idea that art and activism are untouched by faith and faith is untouched by art and activism.

Episode 11: To End the World As We Know It
Black and white image of clouds from above showing a fractal pattern
23 November 2019
Tramway

Vorticity in the Eternal Hum

Alexander Moll Jackie Wang

What’s the relationship between the eternal hum of the oceanic beloved and the persistence of vorticity in fluid dynamics? And how does Alice Coltrane’s harp help us stay there?

Episode 10: A Means Without End
A row of people in uniforms, pinafores, hats
19 January 2012
CCA

An introductory salon

Hartmut Bitomsky

Hartmut led “a workshop in the old-fashioned way of discussion, mutual exploration of ideas and samples; trying out what can be shared and where the fault lines show.”

Episode 1: A Film is a Statement
Jandek's silouhette against a blue wall
28 August 2005
Scottish Rite Theatre

Austin 05

Jandek

Jandek performing at the Scottish Rite Theatre in Austin, Texas with Juan Garcia, Nick Hennies and Chris Cogburn.

Kai Faguchinski and Klaus Filip performing at MLFC on clarinet and laptop
12 May 2007
The Sage Gateshead

Los Glissandinos

Kai Fagaschinski Klaus Filip

Los Glissandinos work with clarinet and sine tones beating and thrumming in your middle ear, all beautifully paced and serene, but with just enough steely menace broiling under the surface to keep you on edge.

Music Lover’s Field Companion 07
2. Poster print image with the caption “capitalism also depends on domestic labour” and an illustration of a factory production line, but instead of factory work, the activity on the production line depicts women undertaking domestic labour, caring for the factory worker at home, in-between leaving and entering the factory.
13 March 2022
Online

Frequency of Touch: the Making of Motherhood

Helen Charman Margaret Salmon

This session focuses in on the defiant mutual aid practices of early and DIY feminist movements in the UK, that attempted to shift and radicalise care and kinship away from the domain of the nuclear family.

Mutual Aid
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