
Poetic Justice
Hollis Frampton
A cinema of the mind, a film to take place in the viewers’ imagination(s).
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A cinema of the mind, a film to take place in the viewers’ imagination(s).
Coming to us from Taipei, Yo-Yo sends us elsewhere while bringing us back with her to the timezone of tomorrow. A dancer, media artist, and choreographer who makes multi-dimensions and realms, Lin’s amplification of energies and connections across bodies devolves the separations we are taught to abide.
One of the most arresting and unique improvisers in Japan, creating an original and powerful body of free music.
One of the most compelling Indigenous voices of her generation discusses practices of Indigenous Resurgence drawn from Nishnaabeg poetic knowledge.
Each of these films addresses place, landscape or location and the personal reaction to their magical or concrete properties. Watch out for Kren’s structural, throbbing investigation of a forest and Baillie’s intimate and humble essay on a blind guitarist and the relationship between songs of Mexican revolutionaries and the people and places they looked to inspire.
Merzbow takes the junk of sound and transforms it into blistering noise assaults with an incredible spectrum and impact.
Complexly interacting colossal drones by the creator of some of the most legendary yet least heard music of the 70’s.
A socio-poetic reading on wayward communities – The wayward create upheavals, incite tumult. They come and go as they please; they are fugitive; they are in open rebellion against society.
Jean-Luc Guionnet will be giving a talk as part of the music department’s ongoing series of colloquia.
Torrential, wrenching wordless wails, guttural screams and roars, a Haino solo vocal performance.
Austrian guitarist who specialises in a warm digital deconstruction of guitar noise
When we look, how do we objectify the body; how can we reflect on our (self) image as a construction?