
Tom Bruno
Tom Bruno
Bruno’s liberated improvisational approach stretches beyond the lyrical, tough as nails rhythmic bursts and expressive, swinging attack of his drumming.
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Bruno’s liberated improvisational approach stretches beyond the lyrical, tough as nails rhythmic bursts and expressive, swinging attack of his drumming.
Do almost nothing: re-present (unaltered and arranged by chance) silent family home movies handed down to Flo, (Ken’s wife) and follow them with a “teach yourself Yiddish” cassette tape.
A cinema of the mind, a film to take place in the viewers’ imagination(s).
Setting up a minimal procedure to explore the interaction between a person and the (documentary) film/ video process. What initially seems simple ends up contrarily distanced and intimate, public and private.
How do poetry and maths stitch together pictures of our fractured situation from its wreckage and relics, from the debris of hope and the well of residues that make us what we are?
Quasi-theatrical multiple-projector pieces play with the relationship between performers, art and audiences.
‘Ten Pieces in the Form of Painful Variations’ for piano, an impossible score that looks like a grapeshot musical stave, a text of barbed loathing and doubt – an anti-composition.
An audio/ video, lecture/ performance exploring the queer and companionly inter-activity of human-animal relations.
How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?
Tormented and drawn-out high-pitched yelps and drones, all interleaved with periods of torpid silence.
During Episode 9 we made this clip with Storyboard P at Kinning Park Complex. Video by Ash Reid.
Free Jazz group comprising Matt Lavelle, Matt Heyner (TEST, No-Neck Blues Band) and Ryan Sawyer (Tall Firs).