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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A flyer that says NYC Rumble Ball 66 The Road to Master. In black and red.
20 April 2014
Club Escuelitas

The Road to Mastery Rumble Ball

Various Artists

This mini, late-night ball will include categories inspired by the events earlier in the weekend.

Master Ballstar Weekend
Image says:Don't ask to fight their wars, don't tell them that's what we're for.
23 October 2016
Tramway

Against Inclusion

Dean Spade Eric A Stanley Mujeres Creando

What does it mean to resist seeking assimilation or inclusion within, or let our demands be co-opted by the very systems we seek to dismantle?

Episode 8: Refuse Powers’ Grasp
still from country ball Jacob satterwhite
17 November 2017
Tramway

Screening Programme

Jacolby Satterwhite Paul Kindersley Samuel R. Delany Tiona McClodden

Emotional fantasies, towers of cakes, identity troubles, collapsed distance and time and Samuel R. Delany’s rarely seen 1971 film The Orchid.

Episode 9: Other Worlds Already Exist
Man in a dressing gown and foundation sits on a beige sofa
13 November 2010
Tramway

Iain Campbell

Iain Campbell F-W

A series of three short performed situations and statements to be examined or judged from the most interesting young musician in Glasgow (we think).

INSTAL 10
Arika_ASIAPOL_Whitney2012_Ultra-red_GeorgeLewis_Photo_BMcIntyre-22
2 May 2012
Whitney Museum of American Art

What is the Sound of Freedom?

Ultra-red George Lewis

For day one of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by George E. Lewis.

A survey is a process of listening
boychild raises hands to the air open palm toward ceiling, head tilted upwards
23 November 2019
Tramway

Untitled Hand Dance

boychild

“Hidden in the hands an alluvial transcription of reach and embrace. The final flickers of the body’s expression, caress and touch.” – boychild

Episode 10: A Means Without End
Colorful leather bound books line a wooden shelf, with writing on their spine in Arabic, one booklet entitled “3 Scores and The People’s Mic Khutba” in Urdu, is slipping into the company of the books or out into the hands of a seeker.
14 November 2024
Tramway Live Stream

Bring a Witness

Sadia Shirazi Mezna Qato

Sadia Shirazi & Mezna Qato will discuss a series of scores that explore the texture and landscape of exile, resistance, and Muslim sociality. These instructional scores trouble the idea that art and activism are untouched by faith and faith is untouched by art and activism.

Episode 11: To End the World As We Know It
13 May 2007
The Sage Gateshead

Total Music Meeting

David Keenan

Discussion with David Keenan: an author, critic and musician based in Glasgow, Scotland. He is best known for the reviews and features he has contributed to The Wire.

Music Lover’s Field Companion 07
A view of Kylie Minoise's bare back with a red bandand tied around their head
16 February 2008
The Arches

Personal Space

Kylie Minoise

Thirty lucky Instal punters experience Kylie’s pre-match aggro workout one-on-one in the darkness of an Arches dressing room.

INSTAL 08
participants sit at a large table listening to the discussion
3 May 2012
Whitney Museum of American Art

What is the Sound of Freedom?

Ultra-red Vogue’ology

For day two of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by the Vogue’ology collective.

A survey is a process of listening
A B&W collage of workers with a list of healthcare jobs as the background
15 April 2015
Tramway

Work Care Class 1 – Care & Work

Howard Slater

First in a series of workshops for workers and non-workers who care. Does work that asks us to be attentive to the needs of others force us to sell our capacity for kindness?

Episode 7: We Can’t Live Without Our Lives
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