Ruins & Ian Halliwell
Ian Helliwell
Giants of the Japanese avant-rock scene Ruins are a hardcore prog rock bass + drums duo led by drummer extraordinaire Tatsuya Yoshida and joined in Dundee by Sasaki Hisashi.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Giants of the Japanese avant-rock scene Ruins are a hardcore prog rock bass + drums duo led by drummer extraordinaire Tatsuya Yoshida and joined in Dundee by Sasaki Hisashi.
Rather than asking the state for services, what kinds of change are made possible when we prioritise people supporting each other?
Heat-mapped bodies, found porn films, Korean psyche-folk, creepy police intrusion and self-defence.
Tiny fragments of sound recombined and woven into spare and precise, violent yet beautiful pieces
A stroboscopic and intense sensory overload of flashing abstract forms, cut to ribbons by modified projectors.
With lo-fi dreams and high-def humor, Bande brings MC vibes to the day. Interluding music with spoken performance, the live extimacy of Bande’s presence reaches out via emo-techno-bridges.
A drone installation populated by flourescent strip lights working in complicity with analogue radios – “all the lights just do their thing”.
Free-jazz chat with Sabir Mateen, Daniel Cater, Andrew Barker – hosted by Byron Coley.
UNINSTAL was a set of events at Tramway that tested out radical ideas with leading local and international artists. A collection of events (performances, films, installations, walks and talks) about sound and listening.
Journalist and underground music champion Alan Cummings talks to Keiji Haino about his career and his performance the previous evening.
As opposed to suggesting soundtrack’s to Brakhage’s works [which are almost entirely silent] Text of Light use his works to stimulate improvisation, enveloping them into the structure of the group much like an additional musician.
Post consideration and post rationalisation… How do we think about experimental music and film after the performance?