Neil Davidson, Aileen Campbell & Robin Hayward
Aileen Campbell Neil Davidson Robin Hayward
Sparse and miniature free thought workouts involving guitar, vocals and tuba.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Sparse and miniature free thought workouts involving guitar, vocals and tuba.
Recently rediscovered but still very pertinent, Kino Beleške presents a series of speech acts and performative gestures by protagonists of the new artistic practice in former Yugoslavia: each a personal take on the role of art in society.
IN OUR LIFETIME, is an anti-imperialist resource, edited by Hussein Mitha, produced by Arika for Episode 11, featuring poetry, essays, questions, prompts, letters and works of anti-colonial imaginary.
A performed filmic conversation on queer and black world making.
Join Umbrella Lane and special guest migrant trans sex workers in a community discussion about the points of intersection in LGBT people’s rights and sex worker’s rights.
A stroboscopic and intense sensory overload of flashing abstract forms, cut to ribbons by modified projectors.
Greek TV company Onos Productions came to INSTAL 09 to document the festival and report on Nikos Veliotis’ Cello Powder performance.
A movement-based workshop on Krump and the politics of how we teach, learn and listen with our bodies. Move with us!
Ever changing coven of feedback worshipping witches led by Blood Stereo/ Smack Music 7 shrieker Karen Constance spit audio hexes through yr skulls.
Join Brian as he ruminates on the history of how experimental filmmakers and sound artists have drifted into and taken over galleries in order to show their work.
An audio/ video, lecture/ performance exploring the queer and companionly inter-activity of human-animal relations.
If life is assaulted by power, where do we find spaces for living? A conversation with Peter Pál Pelbart.