Epileptic Seizure Comparison (1976)
Paul Sharits
Paul Sharits one of the great experimental, sometimes called structuralist / materialist, filmmakers of the 20th Century.
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Paul Sharits one of the great experimental, sometimes called structuralist / materialist, filmmakers of the 20th Century.
A changing pool of people (40 or so at a time – artists, audiences, etc) talk for 90 minutes in a simultaneous series of open-ended round-table discussions, structured like speed dating, and mixed live as both a concert and for radio broadcast.
Open-ended, paradoxical and performed investigations into: misunderstanding, language games, form saturated with sense, and consecutive matters…
Music is full of refracted brass and wind tones, distorted tape loops, dead silent air and the occasional piercing shard of sound.
A conversation about the movement for prison abolition and refusing the logic of race and sex that underpins the criminalisation and mass incarceration of communities.
Do almost nothing: re-present (unaltered and arranged by chance) silent family home movies handed down to Flo, (Ken’s wife) and follow them with a “teach yourself Yiddish” cassette tape.
Real-time video feedback loops submerged in laminal sheets of sound soaked in gauzy timbral detail and multi-valenced, buzzing overtones.
Thirty lucky Instal punters experience Kylie’s pre-match aggro workout one-on-one in the darkness of an Arches dressing room.
Sound as it is endured by space and the body: 15 participants lie face down and pound the floor with a microphone one thousand times, each person choosing their own rhythm and intensity.
“I am truly without faith. In a media marketplace that demands soulness, I can only offer soulnessless.”
Each organ is unique. The project is to find out what makes it unique.
Performance of a Sudoko based graphic score giving rise to a process of self cancellation.