Perlonex & Ulrike Flaig
Burkhard Beins Ignaz Schick Joerg Maria Zeger Ulrike Flaig
Real-time video feedback loops submerged in laminal sheets of sound soaked in gauzy timbral detail and multi-valenced, buzzing overtones.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Real-time video feedback loops submerged in laminal sheets of sound soaked in gauzy timbral detail and multi-valenced, buzzing overtones.
UK conceptual/ drone/ noise artist, who is seriously posing what might seem to be unanswerable questions of music.
Robin Hayward – exploring the micro-sounds of a tuba, filling slowly with sand.
Somewhere between performance, stripped down theatre and an intense kind of public learning or maybe even a public hearing.
This mini, late-night ball will include categories inspired by the events earlier in the weekend.
An LSD trip gone right via dense explorations of post-Fahey steel and low level drone.
How black radical practices of abolition imagine a way out of the caging and mass killing of life.
Harrowing but musical confrontations with the very real, physical and aural trauma of a woman screaming.
GIO’s bottomless throat, Blood Stereo’s slobber gobbler and the Mouth Of The South tangle tonsils over Steve McCaffrey’s Carnival
INSTAL’s third outing saw performances by AMM, Cosmos (Sachiko M & Ami Yoshida), Voreboms, Vibracathedral Orchestra with Matthew Bower and John Godbert, Paragon Ensemble, Merzbow and Ryoji Ikeda.
Koji Asano, Japanese composer and sound-artist performing slow groaning burbling tones, moaning echoes and drones.
Noise music for the eyes: projectors turned into instruments, B&W film loops into a thrumming riot of colour, motion and sound.