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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A projected image reads "decriminalise sex work" on a red banner. Four people are sat underneath the image on a stage talking with an audience.
19 November 2017
Tramway

Sex, Work, Justice

SWARM

The struggle for sex workers’ rights and how we can understand it in the continuum of care work and other forms of invisibilised and precarious work.

Episode 9: Other Worlds Already Exist
Two photos of women in 40's costume sat at an old desk
4 May 2012
Whitney Museum of American Art

Comrades of Time

Andrea Geyer

Seven women recite monologues composed from texts from the vibrant years of the Weimar Republic. A kind of cultural echo: an experience of histories brought to the present.

A survey is a process of listening
Image with the words: Paragon Ensemble
9 December 2001
The Arches

Paragon Ensemble

Paragon Ensemble

The program of composed music including Feldman’s Instruments III, Ligeti’s piece for 100 Metronomes Poeme Sympathetique, and Rebonds B by Iannis Xenakis.

INSTAL 01
Shadowed Spaces Tour brochure cover with names of artists
5 – 15 July 2007
Union Terrace Gardens Bell Street Car Park The old public library in Easterhouse A concrete walkway ending in mid air The Megastructure The former Abbeyhill Station

Shadowed Spaces

There exist places in our towns and cities that are created not by design, but by circumstance. Shadowed Spaces was a tour of overlooked, bypassed and unconsidered nooks and crannies with 3 musicians.

Inure Takehashi playing a snare drum among buddleia
15 July 2007
The former Abbeyhill Station

Shadowed Spaces Edinburgh

Ikuro Takahashi Sean Meehan Tamio Shiraishi Denis Wood

The site of the former Abbeyhill Station on the 1903 Leith branch of the Edinburgh and Dalkeith railway, overgrown and leading to as yet un-regenerated ‘wasteland’; taxi’s for 80 people, each instructed to take different routes between locations and; a slice of land concealed behind corporate business park branding off the Wester Approach Rd, apparently of no conceivable use and named ‘Chateaux de Scum’ by those who use it anyway.

Shadowed Spaces
Arika_Episode5_Photo_AlexWoodward-31
25 May 2013
Tramway

We have something to say about… Pt1

Ann Cvetkovich Eboni Marshall Turman Frank Roberts Michael Roberson Robert Sember Terre Thaemlitz Vogue’ology

A historical narrative of the black and Latino/a transgender, bisexual, lesbian, and gay House and Ballroom Scene in relation to race, gender, sexuality and class oppressions.

Episode 5: Hidden in Plain Sight
Hands fiddle with items lit by headtorch
7 February 2008
Lobey Dosser Statue

Personal Space

Usurper

Usurper jamming live in a skip at the site of Bud’s Neill’s Lobey Dosser statue on Woodlands Road.

INSTAL 08
Jo Jo plays a guitar with equipment visible & knees bent
14 October 2005
The Arches

JOJO Hiroshige

JO JO Hiroshige

A fulcrum to the Japanese noise scene, JOJO Hiroshige has been responsible for much of the explosion of free music coming from Japan in the last 30 years.

INSTAL 05
Tens of strips of 16mm film, visible are hundreds of frames, black or white
12 December 2004
DCA

Film Programme 5: Form

Thomas Köner Tony Conrad Various Artists alva.noto

Reveling in the geometric, mathematical and perceptual relationship between sound and form, this programme features a landmark work of experimental film in Kubelka’s Arnulf Rainer; a complex, enduring and expressive of structuralist or flicker films.

Kill Your Timid Notion 04
Image with the words: Robert Lippock
9 December 2001
The Arches

Robert Lippock

Robert Lippock

To Rococo Rot member Robert Lippok performing for the first time in the UK with his solo project.

INSTAL 01
Portrait of Marc Baron in black and white
27 February 2010
DCA

Marc Baron

Marc Baron

Three speakers play back pre-recorded sounds, Marc listens and responds: “What is played is the imperfect witness of what I listen to (or maybe better, how I listen).”

Kill Your Timid Notion 10
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