 
Speculative Solution
Florian Hecker
A multi-speaker, electronic, spacious and spatial performance from Florian Hecker.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
 
A multi-speaker, electronic, spacious and spatial performance from Florian Hecker.
 
Solo performance on bass clarinet, jaw harp & voice by Arrington De Dionyso.
Artist Derek Lodge running a specially designed social space, somewhere for conversation, story-telling and interaction.
 
A system in which film is projected onto copper strips, captured again and then re-projected as video, somehow transforming the original imagery into molasses-slow, molten and incredibly tactile flickers of colour and light.
 
John Butcher plays and manipulates a feeding back saxophone. Benedict Drew on electronics, broken cables and standing waves.
 
Taku’s actions strip back musical performance to one of its original proposals: what is an action and how does it create a situation for spending time together, for paying attention?
 
Paul Sharits’ Shutter Interface is a multi screen installation born of an intent to reveal the material substance of cinema in its purest form: spatially.
 
Paper Piece: Secrets is a performance for and with the whole audience, using paper, text, secrets, being in the crowd
 
Coming to us from Taipei, Yo-Yo sends us elsewhere while bringing us back with her to the timezone of tomorrow. A dancer, media artist, and choreographer who makes multi-dimensions and realms, Lin’s amplification of energies and connections across bodies devolves the separations we are taught to abide.
 
Craig will give a guided reading of his handbook of exemplary instances of literary listening and will be joined by one of the selected authors, Vanessa Place.
 
Jandek’s first ever live performance. Unannounced, the performance was a total surprise for everybody at the festival.
 
How do we sense entanglement? Can the knotting of ropes according to a poem’s rhythm make the social pulse of language matter?