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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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arika_ep7_IMG_6094
19 April 2015
Tramway

No Ready Made Men – Performance

Ueinzz

A performance of Ueinzz’s new play. Each Ueinzz performance is a process of reinvention, between exhaustion and a fleeting vision: singular, collective, anonymous, plural, suspensive, intensive, unworking life.

Episode 7: We Can’t Live Without Our Lives
A man in garden looks at the screen - "We're here among ourselves…"
16 April 2015
Tramway

Every Little Thing

Dir. Nicolas Philibert

Documentary of La Borde clinic in France and its radical politics of experimentation, in which residents and staff reciprocate in a kind of entanglement, an opening up amongst themselves.

Episode 7: We Can’t Live Without Our Lives
arika_ep7_IMG_6434
16 April 2015
Tramway

Ode to 1 & more than 1

Constantina Zavitsanos Park McArthur

The first of two workshops that highlight correspondence as a way of working. Somewhere between song, speech, and logistical arrangement, these workshops invite participants to consider care as infrastructure.

Episode 7: We Can’t Live Without Our Lives
Jandek performing on stage at Anthology Film Archives NY 05
6 September 2005
Anthology Film Archives, New York 05

Anthology Film Archives, New York 05

Alan Licht Chris Corsano Jandek Loren Mazzacane Connors MV & EE Matt Heyner

Performances at Anthology Film Archives NY by Jandek, Loren Mazzacane Connors & Alan Licht, and MV & EE.

A flyer in black and grey that says Master BallStar Weekend
15 – 20 April 2014
MoMA PS1 The New School Holiday Inn Club Escuelitas

Master Ballstar Weekend

A series of events organised by the Vogue’ology collective from the House Ballroom community in New York grounded in the scenes history of autonomous, self-organised struggle and a shared investment in collective art practices and how those intersect with the multiple and often divergent struggles for freedom.

9 – 13 March 2022
Online

Mutual Aid

4 days of workshops, discussions and artists presentations exploring the radical act of caring for each other while working to change the world.

Still from animated film ‘shit’s totally fucked! What can we do? A mutual aid explainer’ – text and illustrations on paper and wood, that spells out “something really important about all this is that Mutual Aid is not Charity”
9 March 2022

Mutual Aid on the Road to Abolition

Dean Spade Abolitionist Futures

How do we make the connections between the mutual aid practices of our daily lives and anti-capitalist efforts to dismantle wider systems of exploitation?

Mutual Aid
Two performers silhouetted against a projection of blue light
18 October 2003
DCA

Silophone

[the user]

Live ISDN drone performance resonating between Dundee and an empty Montreal Grain Silo.

Kill Your Timid Notion 03
Sanjah: Kan Mikami, Masayoshi Urabe & Toshiaki Ishizuka at MLFC 07
12 May 2007
The Sage Gateshead

Sanjah: Kan Mikami, Masayoshi Urabe & Toshiaki Ishizuka

Kan Mikami Masayoshi Urabe Toshiaki Ishizuka

HEAVY Japanese super group, featuring the sundown delta blues of Kan Mikami, Toshi Ishizuka’s heavy, time folding drumming and Masayoshi Urabe on sax, harmonica and chains.

Music Lover’s Field Companion 07
A B&W portrait of four members of TEST, all smiling
6 May 2012
Whitney Museum of American Art

TEST featuring Fred Moten

Daniel Carter Matt Heyner Sabir Mateen Tom Bruno Fred Moten

TEST is a collective creative improvising quartet based out of the NYC Underground (figuratively and literally). Their street-hardened, spatial Jazz is riotous and intense: is also makes us think about collective organization, and different ideas of responsibility and liberty.

A survey is a process of listening
Bold white text on Red background reads Kill Your Timid Notion
21 – 28 February 2010
DCA

Kill Your Timid Notion 10

A mixture of investigation groups, live performances, screenings and installations at DCA; the festival looked to strip back music, sound, film and moving image to their core ideas and explore them with artists and audiences.

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