
Before or after finitude?
Arika Catherine Christer Hennix Florian Hecker Robin MacKay
Electronic music, time, thought, the word, and consecutive matters
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Electronic music, time, thought, the word, and consecutive matters
Can a musician create a sonic photograph; something with a depth of field, where you can hear sounds and their interconnections, much as you see objects and their relationships in a photo? Could a filmmaker use musical concepts to represent landscape?
A recreation of one of Gustav Metzger’s celebrated auto destructive performances.
A Performance exploring the nature of acousmatic listening; sound removed from visual context and understood for it’s own properties.
Coming to us from Taipei, Yo-Yo sends us elsewhere while bringing us back with her to the timezone of tomorrow. A dancer, media artist, and choreographer who makes multi-dimensions and realms, Lin’s amplification of energies and connections across bodies devolves the separations we are taught to abide.
A specially commissioned performance for organ. “The course of the stars were to be put to sound.”
A simple, gracefully bold set-up to allow Loïc to trace connections: of comments upon comments upon comments, of sounds next to sounds next to sounds.
A confrontational and somehow shamanic stance; introspective silences shattered by savage jabs at the strings, whirlwind strums dying into spartan chords
An occasion for commotion, and a chorus of motions. Choreography rotating your revolutions and then some.
A celebration of the release of four books written by members of, and focused on about the House and Ballroom scene.
A testimony to poverty from Chris’s own experiences, and an invitation to engage with an all too typical situation and context through a kind of imaginary listening.
Bruno’s liberated improvisational approach stretches beyond the lyrical, tough as nails rhythmic bursts and expressive, swinging attack of his drumming.