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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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In a bedroom filled with daylight, Kyla, a mixed heritage woman in her 30s, sits on a raised bed and looks intently through a digital video camera. She films Lou, a white woman in her 20s who sits in Kyla’s power chair for the first time. Lou looks focused as she tries to reverse.
12 March 2022
Online

Watch What Happens Live with Kyla Harris and Lou Macnamara

Lou Macnamara Kyla Harris

In true reality television style, this in-depth artist talk will tackle all the hardest-hitting questions and juiciest details about care, creative collaboration, and disability justice.

Mutual Aid
White text over an advert showing a man on a boat
21 January 2012
CCA

Argument – We would argue: an ante/post discussion group

Gil Leung Ian White

Ian and Gil will host a discussion on the Argument project’s social and political commentaries, and with you try and maybe think through whether and how they might still have some currency today: what’s changed and what’s stayed the same?

Episode 1: A Film is a Statement
Matthew Saladin wearing a suit gesticulates as he talks and holds a paper
12 November 2010
Tramway

Eject & No Disc

Matthieu Saladin

French improviser, composer, writer & musical thinker of dry humour and elegant clarity. Sly conjurer of music from the unconsidered processes of music making.

INSTAL 10
Two people standing by a door, one is wearing a purple cloak
21 October 2016
Tramway

Criminal Queers

Chris Vargas Eric A Stanley

Criminal Queers visualises a radical trans/queer struggle against the prison industrial complex, working to abolish the multiple ways our hearts, genders, and desires are confined.

Episode 8: Refuse Powers’ Grasp
A white star painted on a black oil tank or similar metal container
21 June 2006
Lyness Oil Tank

Lyness Oil Tank

Akio Suzuki John Butcher

Akio Suzuki and John Butcher performing in an abandoned oil tanker on Hoy.

Resonant Spaces
Sparklers mounted on stands with microphones being lit with a gas burner
14 October 2006
The Arches

Sparklers and Table Top Set

Lee Patterson

Sonic ‘observations’ of the world, through micro recordings on a tiny scale and transformed into something musically compelling.

INSTAL 06
A pink and mauve background with black text reads The Poetics of Abolition
10 August 2020
Online

Poetry is Not a Luxury: The Poetics of Abolition

Canisia Lubrin Christina Sharpe Nat Raha Saidiya Hartman Nydia A. Swaby

A panel exploring the poetics of abolition. “Poetry is not only dream and vision; it is the skeleton architecture of our lives. It lays the foundations for a future of change.”

Revolution is not a one-time event
a fisheye lens looks up a blue sky with skyscrapers towering around
14 April 2007
DCA

Film Programme 1: In + Out

Guy Sherwin Various Artists

Includes: a polish counting lesson, around NYC with D A Pennebaker, a portrait of a tower block, a man with a spade, at home with KYTN regular Guy Sherwin, a cinematic Blair Witchish cut-up and a song for some swings.

Kill Your Timid Notion 07
Yellow swirls on red: Still from Matt Hulse Film: See Noise Hear Light - Friday
13 October 2006
The Arches

See Noise Hear Light Friday

Blood Stereo Ellen Fullman Jason Lescalleet Ludo Mich Matt Hulse Nmperign Oshiri Penpenz Sean Meehan

Freeform Super 8mm documentation of Friday at Instal 06 by filmmaker Matt Hulse.

INSTAL 06
An alto saxophone lying on a red cloth along with various small objects
22 March 2009
The Arches

Seymour Wright

Seymour Wright

A saxophone. Handheld fans. Shrill squeaks. Splutters, gargling. An incredible diversity of sounds, intensely focused by an inventive musician.

INSTAL 09
A cutting from the New York Times, showing a man in a blue jumper
21 January 2012
CCA

Argument

Andrew Tyndall Anthony McCall

Argument is a provocative, multi-layered film essay, a trenchant analysis of the media and remains a critically relevant and critically inflammatory tract.

Episode 1: A Film is a Statement
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