INSTAL 01
The first INSTAL festival (programmed by Barry Esson of Arika and Tiernan Kelly) featured a line-up including Robert Lippock, Philip Jeck, Fennesz, Paragon Ensemble, Icebreaker International, Defaalt and Rhomboi.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
The first INSTAL festival (programmed by Barry Esson of Arika and Tiernan Kelly) featured a line-up including Robert Lippock, Philip Jeck, Fennesz, Paragon Ensemble, Icebreaker International, Defaalt and Rhomboi.
A sort of prayer and conference, a sort of scream and dialogue – a monologue and declaration at the time, addressing how we can build complicity with one another.
Voguing, drag, clubbing, and the politics of communities making different performances of gender and sexuality visible.
This set continues on from the Bud Neill inspired clatter using the contents of the Usurper twin’s pockets.
A dance party love letter to our community, expressing the joy of relation in the abstract and through actual physical proximity.
A stroboscopic and intense sensory overload of flashing abstract forms, cut to ribbons by modified projectors.
Guitar and voice. Keening, droning and mourning. Be ready to release and bring your dis-ease.
A poet, playwright and activist, Sanchez emerged as a seminal figure in the 1960s Black Arts Movement, writing in the name of black culture, civil rights and women’s liberation.
A discussion about what is at stake in the performance of realness and the practice of passing, and how they are both acts of survival and resistance.
ACCESS: SOUND FILE A day-long salon accompanying KYTN focusing on sound art.
An invitation into languages field of touch; to speak in feeling together.
A double bill of Morgan Fisher films that ask what can be achieved by a simple structural method of commenting on scraps of 35mm film, re-shot on 16mm film and what happens to meaning (if anything) when ‘insert shots’ are relieved of their original duty of providing crucial plot development for a variety of other movies?