 
The Indivisible or Inadmissable Committee
When one calls a strike, who hears the call, who attunes and listens to it? How to listen to the call of a strike? What prevents one from hearing this call or stops one from listening to it?
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
 
When one calls a strike, who hears the call, who attunes and listens to it? How to listen to the call of a strike? What prevents one from hearing this call or stops one from listening to it?
 
A black hole of dense heaviosity, full of slow motion riffage, tectonic pummel and massive planet destroying rock.
 
Goofily deformed, deeply thought vocal jams: like the sound of your own breath rushing through your head.
 
A historical narrative of the black and Latino/a transgender, bisexual, lesbian, and gay House and Ballroom Scene in relation to race, gender, sexuality and class oppressions.
 
Join Brian as he ruminates on the history of how experimental filmmakers and sound artists have drifted into and taken over galleries in order to show their work.
 
Two bottomless brunch writing workshops—with readings—speculating the relationship between space, infrastructure, technologies and sex.
 
A life force of ecstatic clarity capable of loquacious bursts of affirmation.
 
A performed filmic conversation on queer and black world making.
Post consideration and post rationalisation… How do we think about experimental music and film after the performance?
 
Can our favourite Vegas-born poet of prophetic blackness and a South Central transmuter of social rage into beauty feel through each other?
 
Conceptual choreography as critique, in Ligia’s film of Caribbean plots and scandals, and the possibilities of anti-colonial revenge, rest and repair.
 
A dismantled, performed film, where a narrator pieces together the sounds, images and storytelling of a documentary about Hurricane Katrina before a live audience.