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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Image with the word: Rhomboi
9 December 2001
The Arches

Rhomboi

Rhomboi

Ex Ganger guitarist’s solo performance for guitar and fx, featuring breathless processed guitar, complex in structure and melody.

INSTAL 01
Portrait of Geni Núñez smiling wearing a red robe with a red orange wall behind.
14 November 2024
Tramway Live Stream

Against a monoculture of thought

Geni Núñez Amilcar Packer

Thinking against the monoculturalism of Western thought—of faith, affection, sexuality and gender—which completely lacks any utility to, or descriptive value of Indigenous worldviews.

Episode 11: To End the World As We Know It
Phil Minton conducts a large choir at DCA
9 October 2008
DCA

Feral Choir

Phil Minton

A Feral Choir of people who’ve never improvised with their voices before, conducted by improviser yodeller, composer Phil Minton.

Kill Your Timid Notion 08
Rashad Becker on stage, performing at a desk with sound and audio equipment. The background is dark and a pinkish red light highlights Rashad
17 November 2024
Tramway Live Stream

Based on a True Story – 1986

Rashad Becker

The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.

Episode 11: To End the World As We Know It
Hands holding a deck of cards.
15 November 2024
Tramway Live Stream

More Than Perfect

Denise Ferreira da Silva Arissana Pataxó Leanne Betasamosake Simpson Geni Núñez Ailton Krenak (by video)

A conversation between influential figures thinking through Blackness and Indigeneity, asking: what if we took seriously the possibility that this world, as we know it, may be coming to an end? We dread the loss of this world, but have we begun to imagine the one to come?

Episode 11: To End the World As We Know It
Someone hands are bound in maybe 15 different, irregularly knotted ropes
21 November 2019
Tramway

Gravitational Feel: Opening Performance

Fred Moten Wu Tsang

Gravitational Feel is an engine for intensifying the differentiation of our entanglement, which you continually reprogramme in the mutual rub, shift and lap of its sonic, wooden, steel, textile and human material.

Episode 10: A Means Without End
Black serif font reads Kill Your Timid Notion on a mottled white background
17 – 19 February 2006
DCA

Kill Your Timid Notion 06

A festival hewn from passions for experimental music, film and visual art and for a passion in figuring out how they can relate to, cross-fertilise and inspire and each other.

Two frames from a 16mm film with blocks of red, green, pink and yellow
11 December 2004
DCA

Film Programme 1: Charlemagne Palestine

Charlemagne Palestine

This programme is a celebration of Charlemagne Palestine; passionate, extravagant, visceral. Including two sections from Ritual dans le Vide, an extension of his ‘running camera’ works of the 70’s and Pip Chodorov’s vibrant workout of a live version of Strumming Music.

Kill Your Timid Notion 04
KUCHENGA, Jackie Wang, and Nat Raha seated in discussion on red cushions
18 November 2017
Tramway

Future Justice in the Present

Jackie Wang KUCHENGA Nat Raha

Thought and action, writing and protesting. A chat with Nat Raha, KUCHENGA and Jackie Wang asking what can be learnt from writing across genres by agitators, activists and abolitionists?

Episode 9: Other Worlds Already Exist
A metallic form projected on a screen
29 November 2008
BFI IMAX Spike Island CCA BFI Southbank ICA

Ken Jacobs & Eric La Casa

Eric La Casa Ken Jacobs

Jacobs’ pulsing and abstract 3D Nervous Magic Lantern performance grounded by Eric La Casa’s manipulated recordings of everyday locations.

Kill Your Timid Notion on Tour
boychild performs prostrate bathed in a blue light a red light in their mouth
26 May 2013
Tramway

#untitled lipsync 3

boychild

The mutability of the body and the mobility of identity: queered pop culture, drag, lip-sync and performance.

An audience in a chapel
20 March 2009
Glasgow University Chapel

dazwischen

Eva-Maria Houben

Solo organ performance by German composer Eva-Maria Houben, which focuses on ‘nearly nothing’ to expand the way we listen.

INSTAL 09
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