
Sachiko
Wordless, reverb drenched voice, ghosted electronics, seething and ferocious electronic damage and Patty Waters style vocal mania.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Wordless, reverb drenched voice, ghosted electronics, seething and ferocious electronic damage and Patty Waters style vocal mania.
Chip will read some of his great literary pornography, which pushes sexuality to the point of extremity and exhaustion.
Work that focuses in on the static hiss and background noise of recording and pushes it to the fore.
Take a break and/ or hang in an Open Meet Up in IRL and URL
No Wave, damaged garage jams and crazed instant vocal shrieks.
Journalist and underground music champion Alan Cummings talks to Keiji Haino about his career and his performance the previous evening.
A conversation between Philip and Moten: how do we read NourbeSe’s anti-narrative poetic lament in Glasgow today, given the city’s role in the history of slavery?
A performance for dry ice and four specially constructed steel tables, each one heated by a single candle until searingly hot.
Italian duo of brothers Maurizio and Roberto Opalio utilising an array of acoustic and electric guitars, various toy-instruments and toy-microphones.
What might Carter and Parker’s collaboration tell us about our own performances of responsibility and liberty, whether individual, social or musical?
Goofily deformed, deeply thought vocal jams: like the sound of your own breath rushing through your head.
A double bill of Morgan Fisher films that ask what can be achieved by a simple structural method of commenting on scraps of 35mm film, re-shot on 16mm film and what happens to meaning (if anything) when ‘insert shots’ are relieved of their original duty of providing crucial plot development for a variety of other movies?