Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Three different performances variously featuring: Fritz Welch, loud drums, guitar, local collaborators, paper, memories, Roland Barthes, string quartets
An LSD trip gone right via dense explorations of post-Fahey steel and low level drone.
The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.
Complex ways of understanding our complex times. Maths & Poetics. Gesture & Physics. Collectivist Struggle & Desire. 5 days of performances, discussions, screenings and study sessions.
The Experimental Improvisers Association of Japan, [EXIAS-J] are a loose collective of musicians and dilettantes who seem to represent an entire and self sufficient scene in one band.
4 days of performances, discussions, workshops, screenings with mutant dancers, prison abolitionist poets, transfeminist revolutionaries, haunted noise, science fiction, sex worker resistance, crip erotics, radical pornography and militant fiction.
A fully transcribed, described, and open-captioned film screening that’s nothing short of their actual open heart.
Personal Spaces: inversion of a territorial bell, confusing the realms between rehearsal and performance, public and private space.
Work for cello, percussion, contra bassoon and cherbulum commissioned for Instal in collaboration with Paragon
An immersive live performance for multiple 16mm film and bass clarinet, taking in the whole gallery, submerging the audience.
A carefully thought out, simple but rich performance using just a turntable, teach yourself foreign language LP’s, the impeccable timing of a percussionist, and an idea.
This programme is a celebration of Charlemagne Palestine; passionate, extravagant, visceral. Including two sections from Ritual dans le Vide, an extension of his ‘running camera’ works of the 70’s and Pip Chodorov’s vibrant workout of a live version of Strumming Music.
