26 May 2013
Tramway
#untitled lipsync 3
boychild
The mutability of the body and the mobility of identity: queered pop culture, drag, lip-sync and performance.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
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21 March 2009
CCA
Encuentro Glasgow
Ultra-red
A public gathering that brings together local artists, musicians, activists, and community organisers.
INSTAL 09
16 February 2008
The Arches
Wandelweiser
Antoine Beuger Manfred Werder Radu Malfatti
Expansive and considered, inclusive and deeply human minimalism: Antoine Beuger, Radu Malfatti, Manfred Werder.
INSTAL 08
17 October 2004
The Arches
Steffen Basho-Junghans
Steffen Basho-Junghans
Repetitive, mesmerizing rhythmic workouts, to pieces of stark and rigorous introspection, where notes picked and slid in isolation, scatter like mercury around the listener.
INSTAL 04
9 December 2001
The Arches
Koji Asano
Koji Asano
Koji Asano, Japanese composer and sound-artist performing slow groaning burbling tones, moaning echoes and drones.
INSTAL 01
15 October 2006
The Arches
Arrington de Dionyso
Arrington de Dionyso
Solo performance on bass clarinet, jaw harp & voice by Arrington De Dionyso.
INSTAL 06
16 April 2015
Tramway
Poethical Readings/Intuiting the Political
Denise Ferreira da Silva Valentina Desideri
Four intimate 45 minute sessions, readings of your political questions – using Tarot, Palmistry, Reiki, Astrology, and Philosophy, and the invented methods of Fake and Political Therapy.
Episode 7:
We Can’t Live Without Our Lives
1 December 2002
The Arches
Eclipse of the Moon from the Backyard
Koji Asano Paragon Ensemble
Work for cello, percussion, contra bassoon and cherbulum commissioned for Instal in collaboration with Paragon
INSTAL 02
21 November 2019
Tramway
Gravitational Feel: Opening Performance
Fred Moten Wu Tsang
Gravitational Feel is an engine for intensifying the differentiation of our entanglement, which you continually reprogramme in the mutual rub, shift and lap of its sonic, wooden, steel, textile and human material.
Episode 10:
A Means Without End
22 November 2019
Tramway
Poetry, Mathematics, Debris
Fred Moten Nathaniel Mackey Fernando Zalamea
How do poetry and maths stitch together pictures of our fractured situation from its wreckage and relics, from the debris of hope and the well of residues that make us what we are?
Episode 10:
A Means Without End
22 March 2009
The Arches
Filament: Sachiko M & Otomo Yoshihide
Otomo Yoshihide Sachiko M
Sachiko’s very simple, pure sine tones and structures. Otomo on double pianos. Filament’s music isn’t composed and it isn’t improvised: it’s a hybrid of the two.
INSTAL 09
3 May 2012
Whitney Museum of American Art
What is the Sound of Freedom?
Ultra-red Vogue’ology
For day two of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by the Vogue’ology collective.
A survey is a process of listening