
Catch-Wave ’05
Takehisa Kosugi
A new interpretation of Kosugi’s Catch-Wave, producing a cloud of fluctuating, hypnotic drones, in front of a backdrop of projected waves.
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A new interpretation of Kosugi’s Catch-Wave, producing a cloud of fluctuating, hypnotic drones, in front of a backdrop of projected waves.
Open-ended, paradoxical and performed investigations into: misunderstanding, language games, form saturated with sense, and consecutive matters…
The site of the former Abbeyhill Station on the 1903 Leith branch of the Edinburgh and Dalkeith railway, overgrown and leading to as yet un-regenerated ‘wasteland’; taxi’s for 80 people, each instructed to take different routes between locations and; a slice of land concealed behind corporate business park branding off the Wester Approach Rd, apparently of no conceivable use and named ‘Chateaux de Scum’ by those who use it anyway.
In the Foyer at the Tramway we will screen a documentary from the Sex Workers’ Festival of Resistance 2017 and La Llamada by Eduardo Restrepo Castaño.
A space to reflect on our own experiences with the police and explore more community and care-based ways of dealing with violence and difficulties in our lives.
Moor Mother is a musician, Philadelphian housing activist and black quantum futurist.
Out holler/ howl of English pukenoise posterboys exploded by incessant insect chatter of Northern fug dweller.
Michael Colligan pressing white hot metal into dry ice, causing the metal to sing and scream.
Poetry of raw fearless truth and the realest crip insight fully embedded in absolute lyrical lounge.
Vanessa Place talks at The Friday Event series at the Glasgow School of Art about her practice as a writer.
This set continues on from the Bud Neill inspired clatter using the contents of the Usurper twin’s pockets.
Sonic ‘observations’ of the world, through micro recordings on a tiny scale and transformed into something musically compelling.