
Killer of Sheep
Killer of Sheep is an undisputed masterpiece of African-American filmmaking and one of the most poetic, perceptive dramas ever made about family and community.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Killer of Sheep is an undisputed masterpiece of African-American filmmaking and one of the most poetic, perceptive dramas ever made about family and community.
Dworkin asks: What would a non-expressive poetry look like? A poetry of intellect rather than emotion?
If life is assaulted by power, where do we find spaces for living? A conversation with Peter Pál Pelbart.
Electronic music, time, thought, the word, and consecutive matters
A celebration of our overabundant social entanglement and complicity, that remind us of how we can see ourselves, stripped of powers’ attempts to grasp us.
The worlds leading radio art station brings you: a performance, a radio show, an installation, an endurance test.
This mini, late-night ball will include categories inspired by the events earlier in the weekend.
A temporary archive and research space tracing the ways in which sound and audition move through everyday life.
We’ll look more at psycho-emotional health – exploring experiences as opposed to diagnoses. And exploring collective care and collective healing.
Equal parts spectacle, installation and performance, his set for us is a specially developed work, ‘turning’, which features an orchestra of multiple turntables, 4 projections and a collection of old, and, quite probably, misfiring analogue kit.
TEST is a collective creative improvising quartet based out of the NYC Underground (figuratively and literally). Their street-hardened, spatial Jazz is riotous and intense: is also makes us think about collective organization, and different ideas of responsibility and liberty.
Post consideration and post rationalisation… How do we think about experimental music and film after the performance?