Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
IN OUR LIFETIME, is an anti-imperialist resource, edited by Hussein Mitha, produced by Arika for Episode 11, featuring poetry, essays, questions, prompts, letters and works of anti-colonial imaginary.
A collaboration bringing together artists with a shared gravitational heft to their work; an intense and concentrated accumulation of detail and power.
Sonic ‘observations’ of the world, through micro recordings on a tiny scale and transformed into something musically compelling.
Harrowing but musical confrontations with the very real, physical and aural trauma of a woman screaming.
What’s the relationship between the eternal hum of the oceanic beloved and the persistence of vorticity in fluid dynamics? And how does Alice Coltrane’s harp help us stay there?
Using violin and cello the duo map out a twilight sonic world that seems to tread the faultlines between improvisation and composition.
Quasi-theatrical multiple-projector pieces play with the relationship between performers, art and audiences.
Black-clad with an ominous aura created by their distorted guitar epics, burnt-out ballads and raucous mantric jams.
A performance of Ueinzz’s new play. Each Ueinzz performance is a process of reinvention, between exhaustion and a fleeting vision: singular, collective, anonymous, plural, suspensive, intensive, unworking life.
How do people both inside and outside of prison work together to dismantle the criminal justice system and build a society based on collective care?
Torrential, wrenching wordless wails, guttural screams and roars, a Haino solo vocal performance.
One of the most compelling Indigenous voices of her generation discusses practices of Indigenous Resurgence drawn from Nishnaabeg poetic knowledge.
