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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Inter title from the film Haxan
18 October 2003
DCA

Haxan: Witchcraft Through the Ages

Mirror Phantom Engineer

Mirror and Phantom Engineer performing an improvised soundtrack to Benjamin Christensen’s 1922 horror film prototype, Haxan: Witchcraft through the Ages.

Kill Your Timid Notion 03
Z'EV performing with home made percussion instruments in a railway arch
16 October 2004
The Arches

Z’EV

Z’EV

US percussionist, poet, sound artist and instrument maker performing on self-made instruments constructed from industrial materials such as stainless steel, titanium, PVC plastics and various kinds of pipe.

INSTAL 04
A metallic form projected on a screen
29 November 2008
BFI IMAX Spike Island CCA BFI Southbank ICA

Ken Jacobs & Eric La Casa

Eric La Casa Ken Jacobs

Jacobs’ pulsing and abstract 3D Nervous Magic Lantern performance grounded by Eric La Casa’s manipulated recordings of everyday locations.

Kill Your Timid Notion on Tour
Image with the word: Fennesz
9 December 2001
The Arches

Fennesz

Fennesz

Austrian guitarist who specialises in a warm digital deconstruction of guitar noise

INSTAL 01
A view of Kylie Minoise's bare back with a red bandand tied around their head
16 February 2008
The Arches

Personal Space

Kylie Minoise

Thirty lucky Instal punters experience Kylie’s pre-match aggro workout one-on-one in the darkness of an Arches dressing room.

INSTAL 08
A dome of a white observatory in front of a dark blue sky
29 November 2008
BFI Southbank CCA

Location Location Location

Various Artists Guy Sherwin

Experience a sense of being in the world, in a specific space and time. Including Jeanne Liotta’s recordings of the ionosphere and Walter Ruttmann’s radical 35mm precursor to musique concrète.

Kill Your Timid Notion on Tour
Strips of 16mm laid horizontally to show red and yellow flares of light
12 October 2008
DCA

Film Programme: Feedback

John Butcher Luis Recoder Paul Sharits Various Artists Toshiya Tsunoda

The pieces in the programme switch between silent film/ imageless sound, but we wanted to have a think about how ideas can take up residency on either side of the sound/ image border, without having to inhabit both at the same time.

Kill Your Timid Notion 08
Still from Robert Nelson's film Bleu Shut 'Bottoms Up'
15 May 2010
Tramway

Bleu Shut

Bleu Shut reveals, and allows us to enjoy, our gullibility within the pervasive absurdity of modern life.

UNINSTAL
Steve Baczkowski and Ravi Padmanabha performing on stage
14 October 2006
The Arches

Steve Baczkowski and Ravi Padmanabha

Ravi Padmanabha Steve Baczkowski

Sax/Drums duo of raucous, pealing noise, and cries of beguiling lyricism, whispered sax phrases float in a timbral cloud of bowed metal and rumbling toms.

INSTAL 06
A projected image reads "decriminalise sex work" on a red banner. Four people are sat underneath the image on a stage talking with an audience.
19 November 2017
Tramway

Sex, Work, Justice

SWARM

The struggle for sex workers’ rights and how we can understand it in the continuum of care work and other forms of invisibilised and precarious work.

Episode 9: Other Worlds Already Exist
A black and while still of a photograph of a man melting on a stove
11 October 2008
DCA

Film Programme: Sets

Christof Migone Various Artists Hollis Frampton

A programme that looks at how sound and image can be treated as variants in a collection of ordered objects; at how to create meaning from the similar, and to notice difference.

Kill Your Timid Notion 08
17 November 2024
Tramway Live Stream

Sunik Kim Performance

Sunik Kim

A dense materialist experience at the limits of contemporary computer music, drawing on Korean Shamanism and Communism; striving to create a strange new vibration to the world that seems to contain the seed of everything.

Episode 11: To End the World As We Know It
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