Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
The production of moving image (film) by the mechanically, unfalteringly repetitive manipulation of mass-produced materials (film), in order to explore three different allegorical representations (films) of repetitive human actions and labour under capital.
Sonic ‘observations’ of the world, through micro recordings on a tiny scale and transformed into something musically compelling.
Harrowing but musical confrontations with the very real, physical and aural trauma of a woman screaming.
Pitching Fahey inspired, eastern-infused folk vibrations, sad elliptical drones and oracle chants into one kaleidoscopic sound.
Instead of the one-way monologue of normal performance, what would be the result of an actual collective dialogue? Where would it go?
Radical transfeminism aims to hold the space for finding relations between the ruins of the everyday. Emerging from the debris, spaces for politics find form as poetics to carry understandings, actions and be/longings.
In rethinking the body, the law, the state, gender, race, violence, care and empathy, how we might give humanness a different future?
A specially commissioned performance for organ. “The course of the stars were to be put to sound.”
Complexly interacting colossal drones by the creator of some of the most legendary yet least heard music of the 70’s.
Ex-Decaer Pinga and CKDH rodeo queens; regular ladynoise hoedown gets gatecrashed by sonic chunder-huffing remedial clatter boys.
A dense, hard, immersive, chaotic spatial performance in sound: a momentary gap in consciousness, free of order or decision.
A panel exploring the radical potential of technologies through fugitivity and opacity: their ability to obscure, to make it impossible for us to be known, to render us untraceable by every arm of the state even under the all-consuming spectre of surveillance capital.
