 
Public Feelings
Ann Cvetkovich
The role of feelings in public life, (political) depression and creative survival.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
 
The role of feelings in public life, (political) depression and creative survival.
 
A performed filmic conversation on queer and black world making.
 
A chorister attempting to sing Vivaldi, with live accompaniment, while trampolining for 20 minutes.
 
Work that focuses in on the static hiss and background noise of recording and pushes it to the fore.
 
The ongoing development of [b]reach, an abolitionist black queer retelling of Marge Piercy’s incredible feminist utopian novel Woman on the Edge of Time.
 
Quasi-theatrical multiple-projector pieces play with the relationship between performers, art and audiences.
 
Blood Stereo & Ludo Mich: linking past and present generations of DIY intuitive expression in a post fluxus ‘big mess’.
 
The mutability of the body and the mobility of identity: queered pop culture, drag, lip-sync and performance.
 
Poems are kisses, fists, and underground rivers. For all these reasons and many more, I am a poet.
 
Taking a scalpel to the relationship between performer and audience: cutting something out to see what’s left, a drastic subtraction and shift of emphasis.
 
A double bill of Morgan Fisher films that ask what can be achieved by a simple structural method of commenting on scraps of 35mm film, re-shot on 16mm film and what happens to meaning (if anything) when ‘insert shots’ are relieved of their original duty of providing crucial plot development for a variety of other movies?
 
In the Foyer at the Tramway we will screen a documentary from the Sex Workers’ Festival of Resistance 2017 and La Llamada by Eduardo Restrepo Castaño.