Sgàire Wood
Sgàire Wood
A somehow hyper-modern, ancient and folkloric lip-synced, made-up, fashioned performance.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A somehow hyper-modern, ancient and folkloric lip-synced, made-up, fashioned performance.
The ongoing development of [b]reach, an abolitionist black queer retelling of Marge Piercy’s incredible feminist utopian novel Woman on the Edge of Time.
An LSD trip gone right via dense explorations of post-Fahey steel and low level drone.
Sean and Taku share an interest in structure, space and time. A spartan, abstract, considered and surprisingly musical set.
In Ramayya’s visionary poetry, the body assumes as many forms as love produces states: attraction and repulsion, excitement and exhaustion, selfishness and the dissolution of self.
A performance bearing witness to a struggle built upon patience and collective action from the great multi-instrumentalist and member of the AACM.
Summing up of the investigations with a reflection on what has been done that week and what could be done the next.
A fully transcribed, described, and open-captioned film screening that’s nothing short of their actual open heart.
The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.
Journalist and underground music champion Alan Cummings talks to Keiji Haino about his career and his performance the previous evening.
Patented 60 cycle hums, static pops, and terse electron pinpricks mutated into perfect, post-techno grooves and synaesthesic video
An occasion for commotion, and a chorus of motions. Choreography rotating your revolutions and then some.